River Campus Libraries Digital Collections (2025)

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JOSEF SCHIFF
E ditor

HENRy F. OSBORNE
A {¿xrioger

Four

THE SCORE
of 1928
P U B L I S H E D BY

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TKe Senior C l ass

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O F THE

Eastm an Sckool of A4usxc

Rochester/ NI. y.
V O L U M E iv

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Fíftk Sympkony
First Sympkony
Tkírd Sympkony

N intk Sympkony
Seventk Sympkony
Second Sympkony

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Ludwig van Beethoven
The Greatness of Beethoven
Beethoven's Last W ill and Testament
Heroic Elegy
Dedication

FÜNFTE SYMPHONIE
von

^' ä | m s » m m
Dem Fürsten von Lobkowitz ttnd dem Grafen Rasoumoffsky gewidmet.
Op. 6 7 .

Allegro con brio.

J = îos.

Flauti.
Oboi.

Clarinetti in B.

Fagotti.

Corni in Es.
Trombe in C.
Timpani in C. G.

Violino I.

Violino II.

Viola.

Violoncello.

Basso.

» t l« * una Druck r o a B re it k ö p f * H ä r te l in J > i p n K

Part. B. <).

P O R T R A IT A N D

D ES IG N

CO URTESY

OF THE

A M P IC O

C O R P O R A T IO N

/ 77o “

Seven

Ludwig van Beethoven
bration of the centenary anniversary of his death. His most famous works have been given
repeated hearings, and his less known compositions enthusiastic revival. His life has been
written and re-written for the occasion with an emphasis on well known facts, a new recognition of
obscure or half forgotten items, and a careful and loving interpretation of what he was and did, in
the light of a hundred years’ mellowing perspective. His physical appearance, embodying, in the later
pictures especially, the outward manifestations of his spirit, has been repeatedly recalled in bust and
portrait.
T o the student of music still in school, who learns his three B s, as the academic student his three
R ’s, the presentation of Beethoven material is no new specially timed process. Each year of the
student’s work is very likely to constitute, in some degree, a Beethoven revival in itself, through the
ever recurring study of some of this master’s work, or phase of his life. T h at Beethoven should be,
for the student, the most prominent of the three B ’s is not remarkable, nor is it a comparison in any
way disparaging or belittling to the other two. For not only does the sympathetic quality of the facts of
his life make Beethoven, more than any of the past masters, the ideal patron saint of the student, but
that which caused him to state in his W ill, “Oh, it seemed as if I could not quit this earth until I had
produced all that I felt within me,” ranks his as the most discerning interpreter of artistic ambition.
Thus has Beethoven epitomized that urge which brings students from the four points of the com
pass to begin on long years of preparation towards a goal of uncertain achievement, with a jaunty dis
regard of economic or even physical handicaps. Lost many times in the tedium of detail, the discourage
ment of seeing others’ superior achievement and advantages, or the sense of personal inadequacy to
technical requirements, the student may feel that his studentship is a mishap or even a mistake, but he
never loses the ideal and idea that he must, in some line of expression, “produce what he feels
within him,” if he is endowed with genuine artistic temperament. W hether or not be continues his
artistic pursuits, however, depends on the development of his inner ear, that development that made
Beethoven disregard his handicaps in exterior contacts and follow the urge to bring out what was with
in him, in spite of what he designates in his Heiligenstadt document as “his wretched, wretched life,”
because he knew that what he had to say was worth saying.
Remarkably enough, after this testimony, of his earlier life, one finds that Beethoven records in his
best music not the misery, but the joy of his artistic life. T o counteract the one “Sorrow” composi
tion of his youth comes the final judgment of his m aturity—the Ninth or Joy Symphony. In this work
he sets the seal of a master’s word of honor that to express one’s self is the highest joy and summum
bonum of the artist, in spite of passing discouragements in the process of learning how.
It is for this ultimatum that the student receives Beethoven as peculiarly his, of all musicians, and
dedicates to him a hundred and one years commemoration and recognition.
E l a in e S a u v a g e

T h e Schwarz spanierhaus in
Vienna where Beethoven died

Beethoven’s Last Will and Testament
“F o r M y Brothers, Carl a n d ............ .. . B eethoven
YE who consider or declare me to be hostile, obstinate, or misanthropic, what injustice ye do
m e!—ye know not the secret causes of that which to you wears such an appearance. M y
heart and my mind were from childhood prone to the tender feelings of affection. Nay, I
was always disposed even to perform great actions. But only consider, that, for the last six
years, I have been attacked by an incurable complaint, aggravated by the unskilful treatment of medical
men, disappointed from year to year in the hope of relief, and at last obliged to submit to the endurance
of an evil, the cure of which may last perhaps for years, if it is practicable at all. Born with a lively,
ardent disposition, susceptible to the diversions of society, I was forced at an early age to renounce
them, and to pass my life in seclusion. If I strove at any time to set myself above all this, oh how
cruelly was I driven back by the doubly painful experience of my defective hearing! and yet it was not
possible for me to say to people, ‘Speak louder— bawl— for I am deaf!’ Ah, how could I proclaim
the defect of a sense that I once possessed in the highest perfection, in a perfection in which few of
my colleagues possess or ever did possess i t ? Indeed, I cannot! Forgive me, then, if ye see me draw
back when I would gladly mingle among you. Doubly mortifying is my misfortune to me, as it must
tend to cause me to be misconceived. From recreation in the society of my fellow-creatures, from
the pleasures of conversation, from the effusions of friendship, I am cut off. Almost alone in the
world, I dare not venture into society more than absolute necessity requires. I am obliged to live as in
exile. If I go into company, a painful anxiety comes over me, since I am apprehensive of being exposed
to the danger of betraying my situation. Such has been my state, too, during this half year that I have
spent in the country. Enjoined by my intelligent physician to spare my hearing as much as possible, I
have been almost encouraged by him in my present natural disposition; though, hurried away by my
fondness for society, I sometimes suffered myself to be enticed into it. But what a humiliation, when
any one standing beside me could hear at a distance a flute that I could not hear, or any one heard the
shepherd singing, and I could not distinguish a sound! Such circumstances brought me to the brink of
despair, and had well nigh made me put an end to my life; nothing but my art held my hand. A h !
it seemed to me impossible to quit the world before I had produced all that I felt myself called to
accomplish. And so I endured this wretched life,— so truly wretched, that a somewhat speedy change is
capable of transporting me from the best into the worst condition. Patience— so I am told— I must
choose for my guide. I have done so. Steadfast, I hope, will be my resolution to persevere, till it
shall please the inexorable Fates to cut the thread. Perhaps there may be amendment; perhaps not.
I am prepared for the worst,— I, who so early as my twenty-eighth year was forced to become a
philosopher. It is not easy— for the artist, more difficult than for any other. Oh G o d ! thou lookest
down upon my misery; thou knowest that it is accompanied with love of my fellow-creatures and a
disposition to do good! O m en! when ye shall read this, think that ye have wronged m e; and let the
child of affliction take comfort on finding one like myself, who, in spite of all the impediments of nature,
yet did all that lay in his power to obtain admittance into the rank of worthy artists and men. You,
my brothers, Carl and ............................. , as soon as I am dead, if Prof. Schmidt be yet living, request
him, in my name, to write a description of my disease, and to that description annex this paper, that
after my death the world may at least be as much as possible reconciled with me. At the same time, I
declare both of you the heirs of the little property (if it can be so called) belonging to me. Divide it
fairly; agree together, and help one another. W hat you have done to grieve me, that, you know, has
long been forgiven. Thee, brother Carl, I thank in particular, for the affection thou hast shown me
of late. M y wish is that you may live more happily, more exempt from care, than I have done.
Recommend virtue to your children; that alone— not wealth— can give happiness. I speak from ex
perience. It was this that upheld me even in affliction; it is owing to this and my art that I did not
terminate my life by suicide. Farewell, and love one another. I thank all friends, especially Prince
Lichnowsky and Prof. Schmidt. I wish that Prince L .’s instruments may remain in the possession of
one of you; but let no' quarrel arise between you on account of them. In case, however, they can be
more serviceable to you in another way, dispose of them. How glad I am to think that I may be of
use to you even in my grave! So let it be done! I go to meet death with joy. If he comes before I
have had occasion to develop all my professional abilities, he will come too soon for me, in spite of my
hard fate, and I should wish that he had delayed his arrival. But even then I am content, for he will
release me from a state of endless suffering. Come when thou wilt, I shall meet thee with firmness.
Farewell, and do not quite forget me after I am dead. I have deserved that you should think of me,
for in my lifetime I have often thought of you to make you happy. M ay you ever be so !

‘Heiligenstadt, Oct. 6, 1802.”

* B IS
Nine

HEROIC ELECT
An>Ut S.knnr

Written f*r t(i* t t M t h o ^ r i

C. » n T ^ tn ‘* X

H i

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N America, the Beethoven Centenary Anniversary Committee sought to memorialize the great composer by or
ganizing concerts of his music throughout the country. As an American expression befitting this event, Howard
Hanson was selected and commissioned to compose an Elegy for the Beethoven Celebration. The invitation of
the committee to have the first performance of this work take place at this May Festival concert, was accepted, and it
is opportune that the Heroic Elegy should have a place in the program scheme of this festival, in which several vocal
and instrumental compositions of the Master Symphonies have a prominent place.
Mr. Hanson writes with a simplicity, honesty and directness all too infrequently discoverable in modern com
position. His conceptions loom up like a massive bulk against a sunset sky; his line of melodic beauty is broad and
sweeping; the moments of greatest intensity are luminous from the white heat of emotional expression—withal a noble,
eloquent tribute to the great soul which poured itself out in the Mass in D, the Eroica and the Ninth Symphony.

From the Program Book of The
Thirty-fourth Annual May Festival,
University of Michigan, written by
Dean Earl V. Moore.

E, T H E S E N IO R CLASS O F T H E E A S T M A N S C H O O L
O F M U SIC , D E D IC A T E T H IS

VOLUM E

THE

K IL B O U R N Q U A R T E T IN R E C O G N IT IO N O F T H E I R P E R
FO R M A N C E S O F T H E B E E T H O V E N Q U A R T E T S D U R IN G
T H E C E N T E N N IA L C O M M E M O R A T IO N O F T H IS G R E A T
M U S IC IA N .

Interior U iews o f the
Eastm an School o f M u sic
Cjrand Stairway
Kilbourn H all
‘D irector s Studio

Twelve

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G eorge Ea s t m a n
Founder a n d Patron o f the Eastman School
o f Aduste

Rush Rhees

H ow ard H a n so n
Director o f the Eastman School o f Adusic

Seventeen

Nineteen

T h e U n iv er sity

Ro c h e st e r

Rochester , New York

December 10, 192?

Students of the Eastman. School of Music;
The University of Rochester is very proud Of its School
of Music, and that pride is justified in large measure by
the character 'of the work of the students of the School.
You have it in your power to make the permanent reputation
of the School, for as the tree is known by its fruits so a
school is known by the quality of the students whom it
trains for their contribution to the life of the world.
That you are eager and ambitious and industrious is.
the source of great satisfaction lo us, all.
Wishing you the largest success, I am
Sincerely yours,

President

!&*

T h e U n iv e r sit y

Ro c h e s t e r

E astman sch o o l of music
Rochester, n e w York
O FFIC E OP THE

D ir e c t o r

January 31st,
1928.

To the Members of the Student Body:

Since coming to the Eastman School I
have watched your development as a student body with keen
interest, at times with anxiety and always with the hope
and the belief that this Institution would develop a student
body which would have no superior. I want to tell you now
how happy and proud I am over your progress. You have shown
seriousness of purpose and a fine loyalty to the great art
in which we all labor as humble co-workers. You have shown
too that homelier but lovable loyalty to the Institution itself
and to your teachers and colleagues* You have shown the ability
to be' interested not only in your own affairs but in the careers
of your fellows* You are developing not the personal and
selfish attitude of the ”virtuoso” mind, but the attitude of
the man or woman' who expects to perform his task in the musioal
and social life O f t h e ■country wherever his lot may fall.
The achievements which we have made have not
been easy. The continual raising of requirements,, the constant
progression from one set of standards to other higher standards
has tested the mettle of both students and faculty* This
steady progression upward has not been without casualties. Some
of your fellow students have been forced to drop by the wayside
but you have, stood the test,
I have often, told you that the student body is
the school, Ho matter how gifted the faculty, how splendid””"
the equipment, what the school is and does depends upon you. The
ideals, the hopes and to a certain extent the very destiny of
the Institution are in your hands, I believe that you have proven
yourselves worthy of this trust, I am very proud of you.
Yourj, faithfully

Howard Hanson;
Director.

T wenty-two

ERSTE SYMPHONIE
von

Dem Baron van Swieten gewidmet.

O p .Ä l.

Flauti.

Oboi.

'Clarinetti

Fagotti.

Corni in C.

Trombe in C.

Tulipani inC. G.

Violino I.

Violinoli.

Viola.

Violoncello
e Basso.

Stich Und Druck von Breitkopf &Härtel in Leipzig.

Part. B. 0 .

(

HE regular course student body, of which the senior class is a part, is
by no means the major portion of the school as far as numbers are con
cerned. In addition to this group of regular course students, comprising at
least four hundred of the school’s enrollment, there are two other groups, the
preparatory and the special, which swell the total enrollment in the school to
approximately two thousand students. Mr. Wilson, as assistant-director, has
supervision over the preparatory department and all special students.

-AA. Miss F lorence A lexander
Piano
M r. R u f u s A rey

Clarinet
M r. T . A u st in -B all

V oice
M r. E m a n u el B alaban

Opera

Miss M arjorie B arnett
Folk Dancing
M r. Sam uel B elov

Violin, Viola
M r. F rederick B enson

V oice
M r. R obert B erensten

M otion Picture Organ

T went y‘-six

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M rs. L ucile J ohnson B igelow

Harp
M r. E ugene B ishop

Trumpet
Miss L ucy L ee C all
V oice
M r. S h erm an C lute

Public School M usic

M rs. M abel L. C ooper

Piano
M r. L yndon C roxford

Piano
Miss T heodora C u m m in s
French
M

A bel M . D ecaux

Organ

T twenty-seven

M r . L eonardo D eL orenzo

Flute
M r . J erome D iamond

Piano
M is s B arbara D u n c a n

Librarian
M is s M arie E rhart

Piano

M r . A delin F ermín

Voice
M r . A r th ur F oreman

Oboe
M r . H arry F reeman

Trumpet
M

rs .

J eannette C . F uller

Piano

T wenty-eight

M r . W arren G ehrken

Organ
M rs. C ecile Staub G enhart

Piano
M r . H erman G enhart

Opera

M r . H arold G lbason

Organ

M r . E ugene G oossens

Opera
M r . R ichard T . H alliley

V oice
Miss D orothy H aw kins
Public School M usic
Miss R achel H azeltine
Piano

II
JfA

A
1
A
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Twenty-Nine

Miss F a n n ie H elner
Piano
M r. W endell H oss

French Horn
M r . H erbert I n c h

Theory
M r. M ark J ohnson

Opera

M r. B ernard K a u n

Theory
Miss G ertrude K eenan
Piano
M r. P a u l K efer

Violoncello
Miss E rnestine K linzing
Piano

T hirty

Miss E ffie K nauss
V iolin
M r. G erald K u n z

Violin
M r. M ax L andow

Piano
M r. D onald L iddell

Piano

M r. O tto L u en in g

Opera
M rs. M arjorie T . M acK own

Piano
M r. G eorge M ac N abb

Piano
M r. I rvine M c H ose

Theory

M is s K athryn M ak in

Piano
M rs. H ilda M ay

Physical Education
M r. C harles H . M iller

Public School Music
M r . J acob N abokin

Bassoon

M is s R u t h N orthup

Theory
M r. C lair O lson

English
M r . G eorge B arlow P e n n y

Theory
M r. A shley P ettis

Thirty-two

M r. E mory R emington

¿X

Trombone
M r. E dgar R ose

Piano
M r. E dward R oyce

Theory

Ikm

M rs. M arion E ccleston Sauer

Violin

I
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1

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M r. L udwig Schenck

Violin
M is s E velyn Scholl

English
M rs. J o h n Scott

Piano
M is s L aila Sk in n e r

Piano

JA.
A
M

Thirty-three

M r . H arold O. Sm ith

M otion Picture Organ
M r . M elville Sm ith

Theory
M is s H azel M . Stanton

Psychologist in Music
M r . W illiam Street
T yrnpani

M r . G ustave T inlot

Violin
M r . D onald N . T weedy

Theory
M r. K arl van H oesen

Public School Music
M r . Sandor V as

Piano

Thirty-four

M r. G eorge W aterhouse

T y mpani
M r. N elson W atson

Bass Viol
M r. H arry W atts

Piano
M is s M arian W eed

Advisor of W omen
Diction

M r. Raymond W ilson

Piano
M is s E lvera W onderlich

Piano
M rs. J ea n n e W oolford

V oice
M

A rkade Y egudkin

French H orn

Ç r e a te r U n iv e r s ity

Memorial Art Gallery

Sibley Library

Katherine Strong Hall

Eastman School of Music

Anderson Hall

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School of Medicine and Dentistry

T hirty-six

si i a

Graduate Department
Senior Class
Junior Class
Sophomore Class
Freshman Class
Alumni Association

m m

B altz , H arold

M cH ose, T heodore

B each , P riscilla

P ashley , N ewton

F itch , T heodore

SoDERLUND, GUSTAV

I n c h , H erbert

W aters, E dward

has established this year a

he E astm an School o f
which courses are offered leading to the Degree Master of Arts and to the
degree Master of Music. These courses are offered in co-operation with
the College of Arts and Science of the University of Rochester. The
Eastman School thus becomes of full university status as a graduate pro
fessional school as well as an under-graduate school.
Candidates for the Master of Arts Degree in music must first have
received the Bachelor of Arts Degree. Candidates for the Master of
Music Degree must first have received the Bachelor of Music Degree.
This graduate department is under the personal supervision of Dr. Howard
Hanson, and only students who have been passed by the Committee on
Graduate Study are allowed to become candidates for advanced degrees.
Eight students have been recommended by the Committee on gradu
ate study as candidates for advanced degrees. A few of this group will
receive their Master’s Degree in June, while the remainder will take two
years to complete the requirements. Of the eight graduate students six
are majoring in composition and two in Musicology.

T he Class of 1928
HE Class of 1928 has elected to present its history and records under an
introductory title page bearing the opening bars of Beethoven’s Heroic
Symphony. The levity of poking fun at ourselves through the medium of one
of the classics is equaled only by the seriousness with which we interpret our
selves in the light of the Symphonic theme-title.

Jesting though we are in calling ourselves “The Heroic,” we know that
the proverbial true word is inherent in such a title, for we are, as we now stand,
through force of circumstance or selection, but one-third our original enter
ing number. Though by no means among the actual pioneers of the Eastman
School movement, we have entered and passed through the course early
enough in its history to have been involved in the complicating factors of ex
perimentation in new methods of education. We have looked on during the
growth of the Theory department from its earlier stages of “harmony” classes ;
we have been party to the introduction of a new course in Instrumentation ;
we have seen an Opera Department through various Phoenix stages; and
the inauguration and developing of a Faculty of Folk and Interpretive have
been within our time. We are closing a course,—begun under circumstances
to be found in any arts conservatory,—in a definitely organized School of
Music, whose requirements are demanding more and more of its applicants
for admission.
The use of the Heroic Symphony as our credential, therefore, whether in
jest or seriously, we consider our prerogative. We appropriate the title, not
as the individual class of 1928, or because we believe ours to be an ex
ceptional achievement, but because we represent a group, ultimately arriving
at graduation from a complex organization with the development of which it
is our task to assist, and not merely comply. We prefer then to think of, and
record ourselves, not as a class with a numeral, but as one among the succes
sion of classes who are not finishing, but beginning, the work for which the
Eastman School has offered an increasingly effective and unique preparation.
E laine Sauvage

J ane A llen
M us. B. (Public ¡School M usic)
M <& E

C ommittee for C lass D ances (1, 2, 3, 4)
Chairman of R efreshment C ommittee for
Student M eetings (2)
Score Staff (4),

L incoln School of T eachers ’ C ollege
N ew Y ork C ity

Residence: C h a ppa q u a , N ew Y ork

M ary L eah Barnes
M us. B. (Public School M usic)
M $ E
F rosh F rolic
C lass V ice-P resident (3)
Soph H op
J unior D ance C ommittee
Sorority C ouncil (3)
F ormal D ance (2, 3)
Student Council (3) Score Staff (4)

F redonia H igh School

Residence: F redonia, N ew Y ork

D orothy E lizabeth B ingham
M us. B. (Public School M usic)
SA I
B asketball (1)
B aseball (1)

H ockey (1)
H iking (1)

Schenectady H igh School

Residence: 1067 W endell A v e n u e ,
Schenectady , N ew Y ork

A n n e Catherine Bodler
M us. B. (Piano)
M $ E

Sorority C ouncil (4)

Score Staff (4)

P ittsford H igh School

Residence: 21 A rnold P ark ,
Rochester , N ew Y ork

G ertrude M ay Brown

M us. B. ( Composition)

M $ E

M orris H igh School

Residence: M orris, N ew Y ork

E dwin D eforest C lark
M us. B. ( Organ)
$ M A
P resident O rgan C lub (4)
State Scholarship (1, 2, 3, 4,)
O rgan Scholarship (4)
Score Staff (4)

E ast H igh School, R ochester

171 Scottsville R oad,
R ochester , N ew Y ork

Residence:

M ollie C ohen

M us. B. (Piano)

E ast H igh School, R ochester

58 L uzerne Street,
R ochester , N ew Y ork

Residence :

K enn eth M artin C ollins
M us. B. ( Composition and Violin)

<£> M A

Score Staff (4)

G eneva H igh School

Residence: G eneva , N ew Y ork

E vellyn W inifred D avis
iltii

M us. B. (Public School M usic)
A O

III

R egent of AO (4)
P resident of Sorority C ouncil (4)
A ssociate E ditor Score (4)

B arberton H igh School

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# 8m
m

Residence: 292 H igh Street,
B arberton, O hio

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m
m

L anson F. D em m ing
M us. B. ( Organ)
$ M A

T reasurer

C lass (1)
G lee C lub (4)
C lass P resident (2)
P resident of Student A ssociation (4)
of

L afayette H igh School

Residence: 197 P arkdale A v e n u e ,
B uffalo , N ew Y ork

D orothea U. D ouglass
M us. B. (Piano)

S AI
Vice-P resident of Class (1)
S A I Secretary (3]

F rosh H op

W est H igh School, R ochester

72 J oslyn P lace,
R ochester , N ew Y ork

Residence:

V ictoria D ylewski

M us. B. (Supervisor P .S .M .)

E ast H igh School, R ochester

105 E rnst Street,
R ochester, N ew Y ork

Residence:

M ildred M arie E lgin
M us. B. (Public School M usic)

M u P hi Secretary (4)
D ormitory C ouncil (4)
Score Staff (4)

K ent State H igh School
K ent State C ollege

217 N orth D epeyster Street,
K ent , O hio

Residence:

E m ma E nsworth

M us. B. (Piano)

SA I

E lmira F ree A cademy

558 M aple A v e n u e ,
E lmira , N ew Y ork

Residence:

ladys

M . G oodenough

M us. B. (Piano)

U tica A cademy

Residence: 813 N ewell Street,
U tica , N ew Y ork

F rances G row

M us. B. (Piano)

A O

B asketball (1, 2)

A von H igh School

Residence: A von , N ew Y ork

lfred

E. H

agnauer

M us. B. (Composition)

C ollege in Z urich , Switzerland

Residence: N ew Y ork C ity

m il y

B u r r il l H

ane

M us. B. ( Public School M usic)
M <ï> E

Student C ouncil (2, 3'
Score Staff (4)

H erkimer H igh School

Residence: H erkimer , N ew Y ork

D oris E lizabeth H evener
Certificate (Piano)

E ntertainment Committee for Student
A ssociation (2)
C lass Secretary-T reasurer (3)
A ssistant Subscription M anager of N otebook (1)
Subscription and C irculation M anager
of Score (4)

E lmira F ree A cademy

451 M aple A v e n u e ,
E lmira , N ew Y ork

Residence:

F rank W ebster H ill
Certificate (Viola)
M A
C lass P resident (4)
J unior P rom (3)
Scholarship (2, 3, 4)
P hilharmonic O rchestra (1, 2, 3, 4)

V ictor H igh School
M echanics I nstitu te , R ochester

Residence: V ictor, N ew Y ork

G rayce A lice L aube

M us. B. (Public School M usic)

E ast H igh School, R ochester

40 C orwin R oad
R ochester , N ew Y ork

Residence:

mmmtmmmœÊÊmâ

E dgar T heodore L eh n

Certificate (M otion Picture Organ)

So uth H igh School, Y oungstown

944 W ino na D rive,
Y oungstown , O hio

Residence :

Fifty

E thel Codd L uening
Certificate ( Opera)

L eavenworth , W ashington

181 Spring Street,
R ochester, N ew Y ork

Residence:

M ary E ileen M alone
M us. B. (H arp)

Soph H op
Scholarship (3, 4)

Student C ouncil (4)
Score Staff (4)

V ictor H igh School

Residence: V ictor, N ew Y ork

E dith L. M anison

Certificate (M otion Picture Organ)

O rgan C lub

S herm an H igh School

Residence: S h er m a n , N ew Y ork

E dna A gnes M cL aughlin
M us. B. (Piano)

E ast H igh School, R ochester

Residence:

795 M ain

Street E ast ,
R ochester , N ew Y ork

Kathryn A delaide O bourn

M us. B. (Piano)

N orthside H igh School, C orning

Residence: C orning , N ew Y ork

M arguerite I na O lney

M us. B. (Public School M usic)

M t . St . M ary,
H ooksett H eights , M ass.

64 C linton A v e n u e ,
Springfield , V ermont

Residence:

orothea

m e l ia

und

M us. B. (Violin)
M 3> E
Vice-P resident Student A ssociation (3)
V ice -P resident Sophomore C lass
N otebook Staff (1)

T u bm a n H igh School, A ugusta

Residence: 334 G reene Street,
A ugusta , G eorgia

F l o r en c e M . Sa n dberg

Certificate (Organ)

Organ C lub

Scholarship (2, 3]

J amestown H igh School
J amestown C onservatory of M usic

Residence: 166 H otchkiss Street,
J amestown , N ew Y ork

E laine Sauvage
M us. B. (Voice)

A thletic C ouncil (3)
A ssociate E ditor of Score (4)

M o u n t H olyoke C ollege

63 E vergreen P lace,
E ast O range , N ew J ersey

Residence:

J osef Sch iff
Certificate (Viola)

P hilharmonic O rchestra (1, 2, 3, 4)
Scholarship (1, 2, 4)
E ditor of Score (4)

E ast H igh School, R ochester

30 M errimac Street,
R ochester , N ew Y ork

Residence:

gp■*'
L itl
k
pr.; "1

E lizabeth Scurry

Certificate (M otion Picture Organ)

O rgan Club

R oosevelt H igh School, Seattle

Residence:
vard,

M argaret T hompson S isson
M us. B. (Voice)
A O
Score Staff (4)
D elta O micron Secretary (3)
D elta O micron V ice-R egent (4)

E mma W illard School,
T roy, N ew Y ork

Residence: P otsdam , N ew Y ork

547 N orth W indsor B oule
H ollywood, C alifornia

A nna E laine Spencer
M us. B. (Piano)

5 A I T reasurer (4)

E ast H igh School, R ochester

136 P arsells A v e n u e ,
R ochester, N ew Y ork

Residence:

M ary A delaide Stehle
M us. B. (Violin)

F rosh F rolic
Soph H op
C lass P resident (3)

C lass T reasurer (4)
Score P hoto M anager (4)

St . A n n ’s A cademy

Residence: T owanda , P ennsylvania

B e r n ic e A

m e l ia

S u l l iv a n

M us. B. (Public School M usic)
A O

O rgan C lub
T reasurer A O
(3)
A lumnae Secretary A O

Score Staff (4)
(4)

C amden H igh School

Residence: C am den , N ew Y ork

o r is

E. T

aylor

M us. B. (Public School M usic)

A O

W atertown H igh School

Residence: W atertown , N ew Y ork

R ay H asenauer

P resid en t

JEAN SW INDEM AN . . V ice-P resident

E lsie Standing

................. Secretary

N orman P eterson

II. . .

Treasurer

The ^hCusical JTorld, Ju ne^ ig2g
H oward H a n so n ’s U n fin ish e d Sym ph o ny
R eviewed by A lita R. L awrence

O W A R D H A N SO N , director of the Eastman School of Music, is engaged in composing a
most interesting and unusual symphony. The three completed movements were played before a
group of musicians last evening, and it was the consensus of opinion that the work is bound
to make a stir in the world eventually, for there is much in it which is worth while and lasting.
I I J he
movement is the most extraordinary thing of its type the writer has ever heard. Although
it is brazenly modern and in places even barbarically crude, withal it adheres quite consistently to ac
cepted form. It opens with full orchestra, 20 pianos, each with two players performing glissandos with
fly-swatters, and a mixed chorus of singers fitted out with sleigh-bells on hands and feet which are kept
jingling throughout the introduction. After this very chaotic beginning the main theme is given out by
full orchestra, pianos and chorus in unison. It is vigorous and bold, teeming with the effervescence of
youth. It reminds one of fresh, green young saplings blown by the winds of spring. Before this theme
comes to a close there are a few piercing, discordant notes which pave the way for the secondary theme
which is plaintively and pathetically wailing. This is repeated in many keys— sometimes three or four at
once— by woodwinds, voice, strings, brass, and pianos. Then comes the development — very studied
and complex— a harrowing combination of the two contrasting themes. There are sections of great dis
tress and direst agony. It grows faster and faster and more intense . . . great strife . . . desperate
struggle . . . and suddenly and unexpectedly it comes to a chaotic close.
T he second movement has a very short introduction— Diabolique— full of mocking raillery. It passes
quickly into the Tranquillo, which contrasts greatly with the first movement. There is a certain calm
ness and assurance about the theme— an impenetrability— a hardness—which is like utter indifference to
the world without. Although it is less intense than the first movement, it far more organized and clear
cut. There is an underlying feeling of passion, but the motives are loftier and more sublime.
T he Scherzo is modern in the highest sense of the word. It is strong, well-marked, and vigorous,
with many motives interwoven amongst each other. Some dominate strongly, others add to the effect
with their grace and beauty or with subtle nuance—like faces shining by the flickering candlelight
through the dark, or like souls crowding into a vivid dream as they make their way upward. One feels
now with great force the ascending tendency of the whole work, slight beginnings of which were heard
in the first movement.
W e are confident that the composer will work out a strong climax in the last movement, giving the
work a brilliant finale. T he public is eagerly awaiting the outcome of this most promising composition,
which is expected to take its place with the world’s great music.

‘D egree Qourse
M EN
A bram Boone
D onald Bolger
Charles Bybee
V incent E wing
A lex G ilfillan
A lfred H agnauer

R ay H asenauer
H arry H ickman
G ordon K inney
M elvin L emon
H unter J ohnson
R eed M arquis

E lsie A gor
M ary A llen
L ois B ell
D orothy B ronson
K atharine B rown
J essica C ole
G race Copley
J ennie C ossitt
A letha C ramer
G ertrude C rowell
L ouise C uyler
A gnes D anks
P auline D avis
R uth D avis
H elen D ibble
C arol F rank
E lizabeth F ranklin

K athryn F rew
I rma H arold
H arriet H arris
H elen H iggins
E lizabeth H utchinson
R uth J ackson
M ildred K lossner
A lita L awrence
D ora L ong
E loise L ong
F rances M apes
H arriet M artin
E velyn M cC ann
R uth M cN ally
D orothy M cH ale
G ladys M etcalf
R uth M eyer

P hilip M errill
R obert M oore
Stanley M ourant
N orman P eterson
T urney G ibson
D on W hite

W OM EN
E leanor R andall
C arrie Shaw
E leanor Shelley
E leanor Slack
M argaret Sidebotham
A lice Smith
E lsie Standing
J ean Swindeman
I sadore T erry
E lizabeth U tz
G enevieve V an D oorn
T helma W aite
R uth W alker
G ratia W ardle
M arie W hidditt
V irginia W hitehead
R uby W ilder
R achel W inger

Certificate Qourse
. M EN

W OM EN

H oward A rnold
K enneth E ppler
R obert H emings
L eon L enard
M arius Santucci

M aude B ayford
M argaret C ulp

CHARLES S t i CKNEY . . . . . P resident

Sophfmore
C&ss

D
M

o r is

a r io n

a v is o n

V ice-P resident

H E R R IM A N ...........Secretary

C harles H

/ 2IL K E; N

....

il l

.........

Treasurer

threads are we, being woven on the loom of Ambition into a fabric of Beauty and

S~\ J Promise — fabric wrought in a riotous maze of color and design, in a pattern which is, as yet,
barely distinguishable — fabric fashioned of yellow fears and blazing triumphs, of roseate hopes
and jet-black inspiration—
Silk, which will be strong with the grey warp of Patience and Perseverance, strong with the
colorless hours of preparation; silk, shining with the phosphorescent woof of many exquisite,
jeweled moments. Gleams of red gold and crimson, traces of silver and blue, streaks of raw red—
already shining through the confusion of light indescribable shades— mellow with their afterglow,
the dull monochrome of the prosaic background.
A bolt of shimmering stuff— a portion, perhaps, to be fashioned into a cape, to be lined
with Knowledge, edged with Experience, and placed on marble shoulders in the H all of Fame;
other parts to find their way into churches— altar-pieces, beckoning worshipers to ethereal heights;
small bits, warm with color, brightening the hearts and homes of a more material w o rld ; even
the ragged little ends left unfinished—broken threads, raveling out into nothingness, even they
will retain the pulsing memory of association with the reality of beauty.
J ulia Sklarinsky

Sixty-four

Sophomore
C là s
1910

‘Degree Course

M EN
E llis A twater
H arold C rowell
H enry F reeman
A rthur H enderson
C harles H ill
C harles J acobs
A lfred K reckman

W illiam Lynch
C lifford M arshall
W illiam P inkow
G erald R ichardson
E dward R uback
C arroll Shaffer
C harles Siverson

Vera A llen
E rba B irney
R uth B lumstein
M rs. 0 . B odler
J essie Boyd
M argaret B rucker
H arriet C ady
C aroline C irotzki
H elen C lement
D oris D avison
M rs. E. D ayton
E leanor D oughty
M argaret D rury
D orothy E shelman
G enevieve F alk
H elen F ellows
I mogene F erguson

V irginia F logaus
A nna F uller
M arjorie G illette
E velyn G reene
L ucy H ale
M arie H arper
A lice H endrickson
M arion H erriman
R uth H ighberger
D oris H itchcock
R uby H ogg
M ary H owell
W ilma I ngram
E dith J ohnson
M ary J ones
F lorence K nope

C harles Stickney
A rthur Stillman
P ascal D e Surra
L eroy Smith
C arlton W agner

W OM EN
F lorence K ovel
R uth L eggett
M argaret L eonard
E leanor M anning
M argaret M iddlefart
M ary M iller
E lizabeth M oncrief
F lorence N eedham
E dith P almer
E sther P ierce
E llen R athke
Virginia R enter
J ulia S klarinsky
F lorence V ickland
H elen W atson
E lizabeth W ood

Certificate Course
M EN
I ra Shirk

W OM EN
D oris G ermer
J essica M ichaels

H elen R achwalski
A lice R ozan

Sixty-five

P resid en t

R o la n d B radley

MARGARET H U STED . .V ice-P resid en t
B e u l a h B om bard . . . . . .
A nthony D

onato

Secretary

.......... Treasurer

W IS E M A N who should have known whereof he spoke once said that out of the mouths
of babes and sucklings wisdom was perfected. I offer this particular morsel to the grey
haired Seniors— likewise the self-sufficient and superior Sophomores — as a suggestion
that knowledge is not likely to die with them, and that at rare intervals something of worth,
even of lasting benefit, may originate with a Freshman Class.
By all of which I do not mean to say the present class has as yet contributed a monu
mental idea to the mind of the school; but then, we are recent. It is but a short time since
we were so'cordially welcomed to Eastman by President Rhees and Dr. Hanson. It is but a
m atter of weeks since we became acquainted with the able and interested members of the faculty,
and became familiar with the beautiful buildings and excellent equipment.
On the other hand, Jack has not been in danger of becoming a dull boy from over-work,
for coupled with the inclination to get down to business has been a peppy manifestation of
social activity. T he “Turkey S trut” held before Thanksgiving was a whiz, the Freshman
offering at the December Student Meeting scored a great hit, and those who attended the
Freshman-Sophomore basket-ball game, which was followed by dancing, will attest that a moving
spirit was present (and this goes to print before the second term is well under way).
W e may lack the sad experience, but we have plenty of motive. W e may be young, but,
not having arrived at the more crystallized state of our honorable colleagues and upper-classmen,
we may be able to bend a bit and profit by their example. A t any rate, we are on our way upward,
and we expect to step on it.
R oland B radley

cL)egree Qourse
M EN
T heodore A pplebaum
Roland B radley
W illiam C upp
A nthony D onata
A rm at D uhart
H arry F riedman
W illiam G laser

Samuel G oldman
Squire H askin
D urewood H ill
F ranklin I nglis
P arks J elley
H arry K aufman
P hillip K aufman

R oberta A ndrews
L orena A ustin
E dith A rundel
L ucille Barnum
P auline B eere
Catherine B enjamine
B eulah B ombard
G ladys Brown
J ean C hristian '
I va C otton
J anet D ean
Valeria D ickinson
M argaret D ietrich
T helma D udley
F lorentine D ylewski
H elen E berle
M aeda E lmer

P auline F owler
V ictoria F ranzen
A nita F reedman
E dith Freemeyer
G ladys G oade
O live G ould
M uriel G winnell
D orothy H amel
M arion H armon
I sabelle H athaway
M arion H awthorne
V irginia H enry
R osamond H erron
Charlotte H orn
M argaret H usted
K atherine I rvine
H arriet J ohnson

H oward K ubic
L awrence L ynch
P hilip M artin
J ames M cB ride
R obert M cG lashan
M urvin P atterson
L eonard P hillips

A llen R ogers
C arl R olunson
P aul Sargent
H erbert Searles
R obert Stone
T heodore Vosburg
L aw W einer
P rescott W hitney

W OM EN
I sabelle J ohnson
L orene J ohnson
W inifred K eiser
L iselotte K ellner
H elen K irlakowsky
P hyllis K nickerbocker
D orothy L arson
L eah L evine
I ris L owe
V irginia M ajewski
F ern M attison
P hyllis M cK im
M arjorie M oscrip
H azel M yers
H arriette R itchie
H elen R owe
I rene R ussow

B ertha Scarborough
L ila Scarborough
L illian Schiff
E lizabeth Sculley
F rances Shepard
J anet Sims
M ildred Stanley
J osephine Szinkunas
V irginia Straub
R osamond T anner
L orena T aylor
L eona T homas
M argaret T hompson
M argaret T olson
F lora T rimble
E thel T urner
B ernice W ambsganss
L ucille Y oung

Certificate
M EN
T heron F orbes
G eorge F oster

Stanley R udnicki
P aul Sauerwine

W OM EN
R osemarie Brancato
M argaret CODD
D orothy D ill
C harlotte D isque

R osemary F inckel
E lizabeth F rey
D oris M cL aughlin
G ladys Stalker

ELVERA W ONDERLICH . . . . P resident
S a u e r O t t ............. Secretary

a r r ie t

ertrude

K e e n a n
u r e \ an(l

H isto ria n

H E R E is much controversy over the evolution of Alumni Associations in general. Much
can be said in favor of the theory of eternal bliss in the Elysian fields after negotiating
the unpleasant Cerberus.
T he behaviorists, however, maintain, that Alumni Associations owe their origin to the phoenix.
Eastman Alumni inclines more to the Grecian type. It does more. It is following the advice
of D r. Hanson when he said to the new members last June, “W hen you go out to do your work,
your are the Eastman School. Use your power in such a way that the Crusaders of old will look
to you and your example.” These words are prophetic. Eastman School keeps in touch with
the musical activities of each Alumnus by means of a sympathetic sounding questionnaire. There
is a vitalizing touch about this system which would seem very salutary. T he painful conflict and
final vanquishing of such Cerberian monsters as Technique, Ear Training, and Orchestration is
not to be superseded by complacency and comfortable ruts if we are to enjoy the company of the
blessed.
Nor have we neglected the material things. A short business meeting held on commence
ment day resulted in the election of Elvera Wonderlich, president; H arriet Sauer O tt, secretary;
Gertrude Keenan, treasurer and historian. Last Commencement Day the Alumni Luncheon, a
delightful affair, was in charge of Miss M arie Erhart, assisted by the Misses Florence Bradley,
Ella Mason, Elvera Wonderlich and M rs. A ria Bastian.
T he Hallowe’en Party in the Tuning Room was an artistic and financial success.
So, dear Aspirants, we wish you a pleasant crossing in the ferry-boat, and to this end I
recommend to you melody, harmony, and rhythm, but the greatest of these is rhythm. W ithout
it you may as well mute your brass and abandon your cymbals.
G ertrude K eenan

Kilbourn H all
School Orchestra
A ’Capella Choir
Opera Department
Philharmonic Orchestra
Sibley Musical Library

NEUNTE SYMPHONIE
mit KcHasschur ü b et S ch iller s; Ode au d ie F reud e

a.*aa saassao^asi»
vuü

Dem Köuijc Friedrieh Wilhelm III-von Preuasea gewidmet.
On. 1 2 5 .

f
a

I
i

I
m
ERECTED 1^21

JEM MEMORY OF

MAfilAKILBOURN EASTMAN

i
%%■

BORN A U G U ST %% £821

D IE D JU N E 16 i ^ O J

%
L

t0hM

I S ilhniirv) T -fn ll is by design a memorial tribute by Mr..Eastman to
j f ' u v u u r n j n u u hig mother? Maria Kilbourn Eastman. It is one of

the most beautiful interiors presented by concert auditoriums and is
acoustically perfect. It serves as the assembly room of the Eastman School, as
the auditorium for educational concerts by visiting artists and by the school
faculty and students. In it are also given public concerts, which include the
American Composers’ Concert series, the Chamber Music series, given an
nually, and public performances of the opera department.

■«UgaB

The Eastman School Orchestra ,

which is under the conductorship of Samuel Belov. Several public performances have been given this year in Kilbourn H all and the Eastman Theatre,

H E literature of A’Capella Choir music originated during the fifteenth
century, when the old masters, culminating with Palestrina, wrote the
most beautiful forms of polyphonic, choral music.
r

The A’Capella choir in the Eastman School of Music is composed of all
vocal students, who are being trained in singing unaccompanied vocal music.
This choir has assisted in several public appearances with the School chorus
and Festival chorus.
Choral singing is a department of work to which Dr. Hanson has given
his personal attention; he is conductor of both the A’Capella choir and the
School chorus. The membership in the School chorus is composed of all
regular course students and attendance at rehearsals is compulsory. They
have participated in several concerts with the Eastman School, orchestra and
the Philharmonic orchestra, singing: “The Messiah,” by Handel; “The La
ment to Beowulf,” by Hanson; “The Blessed Damozel,” t>y Debussy; “The
Heroic Elegy,” by Hanson; Polovetsian Dances from “Prince Igor,” by
Borodin, and the Coronation Scene from “Boris Godunov,” by Mussorgski.

Students
Seniors
E t h e l C odd - L u e n i n g

ju n io rs

Freshmen

Qhorus

S a n f o r d A d d iso n

M ild red B a r k e r

N orval B relos

M im o B o n a l d i

J o seph F a it h

D a v id H o w ell

W il l ia m G ilbo y

J o seph K a p l a n

D o r o t h y V e r n o n B e a ty

M a r ie K eb e r -B u r b a n k

V ir g in ia H e n r y

M o lly K ie w e

C l a ir K r a m e r

Sa r a h H o r n e r

J o h n L ock e

L o w ell M a c M il l a n

N e il K e n d ig

M a r jo r y M o ntross

A r t h u r Se m a n s

Sa n t i n a L e o n e

P h il i p R it t e r

G eorge M eggs

J e a n n e Sm it h

L eroy M orlock
M a r c e il S c h w a r t z
H ar r y St o c k w el l
B r u c e W r ig h t

EUGENE GOOSSENS
Conductor

f c " ™

Seventy-three

ROCHESTER PHILHARMONIC ORCHESTRA, FOUNDED 1923

T N 1904 M r. Hiram W . Sibley established the Sibley Musical Library, for the use of all
music lovers in Rochester, and presented it to the University of Rochester. He gave the task
of selecting the books and scores to M r, Elbert F. Newton, a musician then living in Roch
ester. In 1921, when the Eastman School of Music opened its doors, the Sibley Musical Library,
numbering about seven thousand volumes, was housed in the building where it has since functioned
as a part of the school. It has grown in numbers to nineteen thousand volumes and is one of the
important music libraries of the country, aside from the fact that it is the most extensive library
belonging to any music school in the country.
/

It is a good working collection for the faculty and students of the school, as well as a library
of interest to the musical community of Rochester.
M r. Sibley has continued his generous benefactions, and, as a result, certain great rarities and
unique manuscripts are to be found here that would not otherwise be a part of such a collection.
For instance, the original autograph manuscript of “Home, Sweet Home,” a magnificent autograph
letter of George Frederich Handel, several mediaeval illuminated manuscripts on vellum, the
only known copy of a collection of music for the viola d’amore, the autograph manuscript of an
unpublished and unrecorded composition for violin and piano by C. Saint-Saëns, and many other
treasures, too numerous to mention, may be seen here. Especial attention is given to collecting the
works of American composers in the larger forms and the original manuscripts of the composi
tions played at the concerts of American composers’ works given in the school are deposited in the
Sibley Musical Library, which furnishes the composer with a photostat copy of his manuscript in
return.

Morris Dancing
Country Dancing
Pageantry

B eethoveus W©rke.

Flauti.

Oboi.
Clarinetti in A.

Fagotti.
Corni in A.
Trombe in D.
Timpani in A.E.
Violino I.
Violino II.
Viola.
Violoncello.
Basso.

vnnssssmBH’

F lam borough Sw ords

E nglish F olk ^Dances
FOLK product is the result of continuous growth and in its native form is based on oral tradition. It is
an expression of common tastes and impulses and reflects their development— an art not of individuals
but of a whole community. The conservativeness of tradition protects it from the corruption of passing
fashions, but does not preclude growth.

SW O R D D AN CES
English Sword Dances still survive traditionally in the northern counties. The dance is performed by a
number of men, varying from five to eight, who form a circle by each holding with his right hand the handle of a
sword, and with his left the point. Thus linked, they go through series of evolutions with a simple running step,
and finish with the swords locked in a polygonal pattern, according to the number of dancers. As a finale, one
of the performers usually holds the “lock” above his head to exhibit it.

T H E M O R R IS D A N C E
The Morris Dance survived longest in the Midlands of England. It is properly performed by six men with
bells on their shins and handkerchiefs or sticks in their hands, and decorated with ribbons and rosettes in the
manner prescribed by tradition. Throughout the dance the “side” works as a whole, but without joining hands.
The style is strenuous and v irile; each man dances with hand as well as with foot and follows in relation to his
colleagues a prescribed track. Different villages had their own “traditions” and, to some extent, their own dances,
though all are founded on a common type.
The Sword and Morris Dances have a close relationship and a common ritualistic origin. They are products of
the nebula of observances connected with veneration of the annual cycle of nature’s productivity. All over the
world traces may be found of a radical conviction of the primitive mind that you can make things happen by
doing them yourself, from which arose the custom for some representative of the spirit of life in a community
to be put through a pretended death and then to be restored to life. This is the basis both of dance and drama.
Dance with its medium of pure movement remained with the folk, and with them developed into forms which
can be favorably compared with the highest products of conscious art in the same medium.

C O U N TR Y DANCE
The Country Dance is a different thing, though it can be recognized without doubt as belonging to the same
stock and arising from the same impulses.
The combination of men and women as partners led to the development of the country dance for social pur
poses, and it has flourished as much in the assembly room as on the village green. In the seventeenth century
a collection was published under the title of Playford’s “Dancing Master,” which is the source of most of those
now republished by Mr. Sharp, though some were found by him in a traditional form. The tunes contained in
Playford are not exclusively of folk origin. Some of them are known to be popular airs composed by seventeenth
century musicians and probably many of the dance figures were also developed from the country dances and
elaborated by the dancing masters of the day.
M arjorie B arnett

L ads A 'B u n c h u m

Confess

Jenny P lu c k Pears

Seventy-seven

Pagdjuntry

Garlands

) a n a n g , so-called natural or interpretative dancing, forms a part of the curriculum
^
in Physical Education. T he above pictures were taken of some of the
seventy-five girls who participated in a demonstration in Kilbourn H all in the spring. This
year, for the first time, electives in Clogging and in Interpretative Dancing were offered
to Juniors and Seniors, so the demonstration included a number of upper classmen.
In an educational activity of this type, ( “self-expression through the medium of bodily movement,
an art form stimulated and regulated by music,” as defined by Miss H ’Doubler of the University of
Wisconsin) the aims are: to give freedom of movement by forming correct habits of muscular con
trol, by learning to reduce effort and to relax, to gain exact motor responses to the elements of music,
to study line and form, and to stimulate imagination and originality in dramatic pantomine. Always
this motor expression must be simple and sincere. W e therefore study the laws of natural movement
and try to get away from the imitative process to the truly creative one. Music is played, and the class
collaborates in working out its expression in the dance-—for fundamental rhythmic feeling, for phras
ing, pitch, crescendo and diminuendo, climax, for mood. This has been done more extensively in the
elective class, and to a certain extent in the Freshman and Sophomore groups.
Different types of dance expressions are evolved—-intense, strong, serious, gay, comic, grotesque,
or perhaps something in frieze work for plastic control— as they appeal to different members of the
class: Mastery of intricate steps for their own sake is not attempted, individual contributions of
thought, natural ease, and joyousness in moving to music and in picturing line and motion, are sought.
Pageantry was offered for one semester this year to Seniors of the Public School course. T he
plan of lessons included lectures, discussions and readings on types of pageants and methods of pro
duction, with talks by specialists on lighting, makeup, story telling methods, and dramatic possibilities in
glee club and choir programs. Practical work consisted of folk dancing, the study of pantomime, and
the staging of numbers for a Thanksgiving program at the practice school. Since there is a dearth of
material for amateur musical productions, each student arranged a pageant of this type as her final
paper.
H ilda J. M ay

Seventy-eight

BacchanaU
pierir°t

R e n d e z ~voUs

and P i e r r e s

W a ltz fo r F ive

Seventy-nine

S ir B r ia n

Raaq d\ A n n

Eighty

G olliw ogs
S ir B rian

R a g g ed y A n n

Student Association
Organ Club
Score
Phi Mu Alpha
Mu Phi Epsilon
Sigma Alpha Iota
Delta Omicron
Women’s Fraternity Council
Dormitory

ZWEITE SYMPHONIE
von

i.T ü sj s j a a a a o ^ a a r
Dem Fürsten von Liehnowskv gewidmet.
0 p .3 ö .

Adagio molto.

-'*»*• «TdtTrü-k vor. Breitfop: * «Rr*%* in L eirsig.

Part. B. 6.

President

L a n s o n D e m in g

J e a n S w i n d e m a n .................................................. Vice-President
E s t h e r P ier ce . . .............................................................. Secretary
C h a r l e s S t i c k n e y ........................................

he Students ’ eAssociation

Treasurer

has completed the fifthyear of its ex‘

istence in the Eastman School. The
organization is composed of all the regular course students of the school, and
has a membership of about three hundred and sixty at present. Monthly meet
ings are held, at which a short business meeting is followed by an entertain
ment and dancing. During the year programs have been presented by the
different classes, and plans are made for the fraternity and sororities to par
ticipate. The chief event of the year was the annual Formal Dance, which took
place on February 17th, and proved to be most successful.

N orm an P eter so n.

............ .President
....... Vice-President

P h y l l is K n ic k e r b o c k e r

Secretary-T reasurer

Ed w in C l a r k . . . . . .

...

h e OrPCLTl C lu b 1S an informal sort °f organization which, never-

^
theless, has an esprit de corps that might well be
the envy of larger bodies. It began in the early years of the school by hav
ing a small group of organ students meet at Mr. Gleason’s for perhaps a bit
of discussion and a good time. Gradually the desire to become more or
ganized grew, and eventually a constitution and by-laws were drawn up.
Officers are elected in May of each year — a president, vice-president and
secretary-treasurer. Meetings come, as a rule, once a month and take the
form of outdoor picnics, sleighrides, toboggan parties, or more formal
parties, where we wear our best clothes and wind up the evening riotously
(we mean it) with Spin-the-Platter.
This year, with Mrs. Gleason as director, we made a movie, using our
own members for the cast and the woods near Mr. Gleason’s for land
scape. The scenario was evolved in a few minutes’ putting together of
heads and the film shown at the next meeting.
Any member of the Organ Department may join this organization on
payment of dues (a dollar a year)—nay, more—envious members of other
departments have been heard to declare they would pay five to get to one of
our parties.

J osef Schiff

Editor

H enry Osborne

Manager

ü
H azel M. Stanton

Faculty Advisor

O -O P E R A T IO N , ideas, and contributions are needed to produce “T he Score,” which is
the annual publication of the Senior Class at the Eastman School of Music. It relies
upon the editorial staff to originate a motif for the book and then to fuse into a com
posite whole a volume of high literary and artistic quality.
This year the staff felt that no greater ideal might be obtained than to leave a book which
W'ould commemorate in a fitting way the hundredth anniversary of the death of Ludwig van
Beethoven. W e are deeply indebted to the many whose contributions have made it possible to
accomplish that aim.
T H E 1928 SCO RE S T A F F
E d ito r ia l B oard

A sso dateJLditors
E laine Sauvage

E velyn D avis

K enneth C ollins

Staff ~
J ane A llen

Louise C uyler ’29

H elen N oetling ’27

L ee Stehle, Photo Manager

N ewton P ashley ’27

M argaret Sisson

B u s in e s s B oard
D oris H evenor, Subscription and Circulation

Staff
Bobby B arnes

E dwin C lark
K ay Bodler

E mily H ane
M ildred E lgin

B ernice Sullivan
E ileen M alone

Of unfailing encouragement and sound council has been our faculty advisor, Dr. Stanton, and we owe
her our esteem and gratitude.
W e are indebted to Mr. Alexander Leventon, concert-master of the Eastman Theatre orchestra, for the
fine portraits of Mr. Eastman, Dr. Rhees, and Dr. Hanson.
Mr. See has always generously given of his time to help and advise us on many problems that occurred.
The collection of drawings within this volume were kindly loaned to us for reproduction by the artists,
Mr. and Mrs. Lapp.
To Mr. S. G. Easton, representing The Genesee Press of Rochester, N. Y., we owe the final presentation
of this book. W e are also indebted to him for the artistic feeling shown throughout the course of the com
position of this volume and the excellent drawing of the head of Beethoven, which appears beneath the
scores of the symphonies. Preliminary plans and ideas were developed with the aid of Mr. C. Hicks,
formerly of The Genesee Press.
T he E ditor

E astm an School o f KILBOURN HALL

ALPHA NU OF PHI MU ALPHA SIN FON IA
PRESENTS ITS

F o u rth R e c ita l of A m erica n M u sic
T occata on G regorian T heme for O rgan
• ........ .............................. ...................... E. S. Barnes
EDWIN CLARK

EDWARD MURPHY

“L ife ” ........................................................... .
Curran
“Do N ot G o, M y Love” ............................. Hageman
“I nvictus”- ---------. . . . : . . . . . . . . ______. . . . . Huhn
HAROLD : CROWELL,

L ento, F antasy, F unebrr, and Scherzo for
F rench H orn and P iano . . . . . . Mark W ess el

Tenor

C harles Bybee at the Piano
I ndian D ances ( a ) - D eer D ance . . . . . . Skilton
( b ) - W ar D ance
P hi M u A lpha L ittle S ymphony

Sonata for V iolin and P iano, O p . 9 .. .Paul White
Andante
Vivo

M r Samuel B elov, Conductor

DUANE HASKELL'

H erbert I nch at the Piano

W e d n e s d a y , J a n u a r y 11, 1928, 4 :3 0 P. M .

P h i VM~u ^A lpha Sinfonia
NATIONAL MUSICAL FRATERNITY
F ounded at B oston, M assachusetts, 1898

C H A PTER H O N O RA RY M EM BERS
M r. E ric C larke

M r. G eorge E astman

M r. E ugene G oossens

D r. H oward H anson

FA C U LTY M EM BERS
Samuel B elov
H arold G leason
H erbert I nch
G erald K un z
M ax L andow
A shley P ettis
E dgar R ose
E dward R oyce
D onald T weedy

O F F IC E R S
C l a r e n c e S a u e r .......... ....
. President
C arroll S h a f f e r . . . . . . . . . . . , , ; , . . . Vice-President
F r a n k H i l l .................... .................. . Supreme Councilman
A r t h u r H e n d e r so n
............................................ Secretary
N e l so n D o e sc h e r . ...................... ........................Treasurer
K e n n e t h C o l l in s , . . . . . . . . . . ,V •;. . . . V. . . Historian
E llis A t w a t e r
.......... ..
. . . I----- Warden

A C T IV E M E M B E R S
E llis A twater
C harles Bybee
E dwin C lark
K enneth -Collins
H arold C rowell
L anson D emming
H ugh D odge
N elson D oescher
A rmat D uhart

Vincent E wing
T urney G ibson
R aymond H asenauer
A rthur H enderson
C harles H ill
F rank H ill
R odney H imes
C harles J acobs
L ester L awson

W illiam L ynch
R obert M cG lashen
P hillip M errill
F red M ora
E dward M urphy
N orman P eterson
W illiam P inkar
J ames Q uillian
H oward R ekers

P hilip R eep
C larence Sauer
C arroll Shaffer
I ra Shirk
C harles Siverson
C harles Stickney
C arlton W agner
D onald W hite

E astm an School o f zJkfusic
OF
T h e U n iv e r s it y of R o c h e st e r

KILBOURN HALL

MU UPSILON CHAPTER OF MU P H I EPSILON
N ational H onorary M usical Sorority

P U B L IC P R O G R A M
Strings and O rgan
Sonata in C Major ................................. Mozart
Allegro
Andante Molto
Allegro
DOROTHY PUND, V io l in MILDRED ELGIN,
EMILY HANE, C e llo
RACHEL HAZELTINE, O r g a n

V io l in

A Minuet at Morley

Beethoven

HELEN PAYNE, EDNA RICHARDSON
FLORENCE BRADLEY

P iano
Etude en Forme de Valse . . . . . . . . Saint-Saëns
DORIS HEVENER

JESSICA COLE

Voice
I am like a Remnant of a Cloud of Autumn
' .. . ..................................................... Carpenter
The Crying of W a t e r .......... Campbell-Tipton
H a p p in ess................
Hageman

T rios for W omen ’s V oices
In the Time of R o s e s ............................. Reichardt
The Walnut T r e e ................................. Schumann
V iolin and H arp O bligato

O rgan
Clair de L u n e ....................................... Karg-Elert
Toccata “Thou Artthe Rock” ................ Mulet

DOROTHY PUND and EILEEN MALONE

RACHEL HAZELTINE

Songs
Waldesgesprach . , ..............
Jensen
Das Ständchen............................................... Wolf
Heimliche A ufforderung........................... Strauss

JESSICA COLE

CATHERINE BODLER, Accompanist
S a t u r d a y , M a r c h 31, 1928, 3: 30 P. M .

MüaPhi
E pm on

r-J x C u

P b i
*

NATIONAL HONORARY MUSICAL SORORITY
F ounded at C incinnati, O hio, 1903

O F F IC E R S
L a il a S k i n n e r . .

............... . .

...............President

G e r t r u d e B riggs . . . . . . . . . ................... Vice-President
M ild red E l g i n ............................ Corresponding Secretary

Recording Secretary
Treasurer
E il e e n M a l o n e ................................................
Warden
D o r o t h y P u n d ........................................................ . .Historian
V ir g in ia G e h r k e n s .......................................................Chaplain
D oris P o t t e r ..................................................................... Chorister
R a c h e l H a z e l t i n e ....................................................... Alumnae Secretary
E lv er a W o n d e r l i c h .........................................
R u t h N o r t h u p .................

P A T R O N S A N D PA T R O N E SSE S
D r. H oward H anson
G eorge E astman
R aymond W ilson
E ric C larke
W endell H oss
M rs. A tkinson A llen

M rs. C. F. H utchinson
G eorge S. B abcock
M r. and M rs. H arold G leason
M r and M rs. R obert B erensten
M r. and M rs. H. O. Smith

M r. and M rs. A rthur See
M r. and M rs. B uell M ills
M rs. F rank G annett
M rs. E rickson P erkins
M r. and M rs. A rthur K elly

M EM BERS
J ane A llen
E dnah B arnes
L eah B arnes
Catherine Bodler
E meline B odler
G ertrude B riggs
G ertrude B rown
J essica C ole
M able Cooper

M ildred E lgin
V irginia G ehrkens
H elen K elly
E mily H ane
R achel H azeltine
M arian W eed
H elen R owe
H elen P ayne
D oris H evener

D orothy H oldoegel
K athryn M akin
E ileen M alone
E lla M ason
E velyn M cC ann
R uth N orthup
K athryn O bourn
D oris P otter
D orothy P und

L aila S kinner
J essie Siegel
A delaide Stehle
G eraldine T ravers
E lveraW onderlich
F rances H arden
D oris M oore
E llen R athke
M arguerita W atts

Eighty-seven

E astm an School o f ^ACusic
OF
T h e U n iv e r s it y of R o c h e st e r

SIGMA TH ETA CHAPTER OF SIGMA ALPHA IOTA
^ ig fa a

F o u rth A n n u a l S p rin g M u sica le

M lota

KILBOURN HALL
T

occa ta a n d

u g u e in

a jo r

............................Bach

So n

a t in e

r e e t in g s

ear

A H

................................................... .......... Brahms

arp

...................... .................. ..................................

Sn o w

MARY JONES
BETTY FRANKLIN
MARIE BURBANK

VIOLINS

is s o n a n c e

S e g u id il l a

PIANO

................... .. . .

Schubert

....................................................................

Borodin
Bizet

fr o m

adchen

C arm en

.......................................

MARY LOUISE MERRITT
A

ndante

occata

MARIE KEBER BURBANK

(Gothic Symphony) ................................. Widor
(5th Symphony) ........................................... Widor
RUTH MABEE HARSHA

EMMA ENSWORTH, Accompanist
T h u r s d a y , M a r c h 22, 1928, 8 :2 0 P. M .

:?i

'-eight

ELEANOR MANNING
THELMA WAITE
DORIS DAVISON

FLORENCE KNOPE
MARION ECCLESTON SAUER
VERA ALLEN
• HELEN CLEMENT

FLORENCE KNOPE
od

Elgar

VOICES

i n B M i n o r (First Movement)'
............................................................... Saint-Saëns

Ravel

Anime

..........................................................................

Brahms

C on certo

Minuet

SARAH WETMORE
T

MARY JONES
THELMA WAITE
DORIS DAVISON
JEAN CHRISTIAN, H a r p
ESTHER PIERCE, C e llo
MARION ECCLESTON SAUER, V io l in

............................,............ ................................................

Modere

HELEN NOETLING

Sigma
A lpfm Iota

Sigm a zA lp h a Io ta
INTERN A TIO N A L W OM EN’S MUSICAL FRATERNITY
F ounded

rbor,

ic h ig a n ,

1903

f
§

C H A PTER H ON ORARY M EM BERS
QUEENA MARIO

ROSLYN WEISBERG

O F F IC E R S
M a r io n E c c l e st o n S a u e r ....................................... President
R a c h e l W i n g e r .................................... :. . . Vice-President

Secretary

E s t h e r P ier ce ....................

A n n a S p e n c e r ........................................................ . . Treasurer
K a t h e r i n e G e h r k e ...............
H e l e n N o e t l i n g .....................................

Chaplain
Acting Editor

PA TR O N ESSE S
M
M
M
M
M
M

rs.

T . A u s t in -B a l l
M a r j o r ie B a r n e t t
r s. G e o r g e B o n b r ig h t
r s . E r ic C l a r k e
is s L u c y L e e C a l l
is s C a r o l y n D o r a n
is s .

M
M
M
M
M

rs.

St e p h e n F ay
E u g e n e G o o ssen s
is s E d i t h H a l e
rs. H a n s H a n so n
is s F a n n y H e l n e r
rs.

M
M
M
M
M

E r n e s t in e K l in z in g
E f f ie K n a u ss
rs. E d m u n d L y o n
r s. A l l is o n M a c K o w a n
rs. A r t h u r M a y
is s

is s

M
M
M
M
M

rs.

E d g a r R ose
H a r p e r S ib l e y
rs. D o u g l a s T o w n s o n
r s. S a n d o r V as
rs. J e a n e W oo lford
rs.

A C T IV E M E M B E R S O F S IG M A T H E T A C H A P T E R
V era A l l e n
D o r o th y B in g h a m
M a r ie K e b e r B u r b a n k
J e a n C h r is t ia n
H elen C lem en t
D o r is D a v is o n
D o r o th ea D o u glass
E m m a E nsw orth

E l iz a b e t h F r a n k l in
K a t h e r in e G e h r k e
R u t h M abee H arsha
M ary J on es
F lorence K no pe
G rayce L aube
L o u is e L e o n a r d
E l e a n o r M a n n in g

D o r is M c L a u g h l i n
M a r y L o u is e M e r r it t
R u t h M eyer
H e l e n N o e t l in g
E s t h e r P ie r c e
V ir g in ia R e n t e r
M a r io n E c c l e s t o n S a u e r
M a r c ie l S c h w a r t z

A n n a Spen cer
J e a n S w in d e m a n
E leanor V an D oren
G e n e v ie v e V a n D o o r n
T h e l m a W a it e
Sarah W etm ore
V ir g in ia W h it e h e a d
R a c h e l W in g e r

;jp

Eighty-nine

BY
R ho C h apter

DELTA OMICRON SORORITY
K ILB O U R N

P relude, F ugue and V ariations ................ F r a n c k
IRMA HAROLD

T hird C oncerto for V iolin . . ............... S a i n t - S a ë n s
Allegro non troppo
LOUISE CUYLER

A h ! H ow D elightful the M orning ........ R e y n o l d s
Come T h en , P ining , P eevish L over............ .... . V i n c i
MAXINE BROUGHTON

F antaisie— I mpromptu
E tude in C
M inor
T rois E cossaises ......................................... ..
C h opin
Au B ord d’une Source ....................................... L i s z t

T hree Songs from , “F rauenliebe und L eben”
.
.
.
.
.......... S c h u m a n n
Er, der Herrlichste von Allen
Ich kann’s nicht fassen, nicht glauben
An Meiner Herzen, an Meiner Brust
MAXINE BROUGHTON

P relude, C horale and F ugue . . . .................. . F r a n c k
GLADYS METCALF

DOROTHY McHALE

M ARGARET SISSON, A c c o m p a n i s t

T h u r s d a y , M a r c h 15, 1928, 8 :1 5 P . M .

D m ta
Orrtikron

D elta Omicron
NATIONAL MUSICAL SORORITY
F ounded in 1909 at C incinnati, O hio

O F F IC E R S
E v e l l y n D a v i s ............................

Regent
Vice-Regent
L o u is e C u y l e r ...........................Corresponding Secretary
G lady s M e t c a l f ................................Recording Secretary
B e r n ic e S u l l i v a n ............................... Alumnae Secretary
A g n e s D a n k s .................................................... Treasurer
E lsa B u e d i n g e n .........Warden and Custodian Chaplain

M arga ret S isso n ............

S O R O R IT Y M O T H E R
M iss Barbara Duncan
M EM BERS
D r. H oward H anson
M r. E ugene G oossens
D r. R obert M acL ean
M r. M elville Smith
M r. A shley P ettis
M r. G eorge B. P enny

M r. E manuel B alaban
M r. B ernard K aun
M r. H erman G enhart
M r. G ustave T inlot
M r. H awley W ard
M rs. H enry Strong

M ary A llen
M arian B anghart
A lice B aynes
M arian B aynes
M axine B roughton
K atherine B rown
H ildegarde Brunnow
E lsa B uedingen
H arriet C ady
J eannette C ass
G race Copley
L illian C rosby

L ouise C uyler
A gnes D anks
E vellyn D avis
G ertrude D ershimer
H elen D ibble
A delaide F ish
M argaret F itzmaurice
D orothy F leming
F lorence G erber
F rances G row
H arriet H arris
I rma H arold

M rs.
M rs.
M rs.
M rs.
M rs.
M rs.

H iram Sibley
R obert M acL ean
W illiam W erner
E dward Shove
G eorge B. P enny
E manuel B alaban

M rs.
M rs.
M rs.
M rs.

Ç. W alter S mith
H erman G enhart
G ustave T inlot
H awley W ard

P A T R O N S A N D P A T R O N E SSE S
M arion H erriman
R uby L each
M arjorie L ehr
J ane M ather
H arriet M artin
D orothy M cH ale
R uth M cN ally
G ladys M etcalf
R uth N ewton
M ildred R ounds
M argaret Sisson
E leanor Slack

M argaret Slosson
A lice Smith
B ernice Sullivan
D oris T aylor
G race T owsley
D oris T witchell
R uth W alker
L ois W ill
D orothy Z iegler

N inety-one

Worhen’s
Fratmnity
Council

E v e l l y n D a v i s ................................................................. President
K a t h e r i n e B r o w n . . . ............

.Vice-President

R a c h e l W i n g e r .............................................................. Secretary
L o u is e C u y l e r . . . . . . V . . . . . . ............................... Treasurer

M EM BERS
C atherine B odler...................... . . M u P h i E p s i l o n
H elen K elly ....................................... M u P h i E p s i l o n
K atherine B rown ................................... D e l t a O m i c r o n
I nez Q u in n ...................................... S i g m a A l p h a I o t a
M arion Sauer ........................... . . S i g m a A l p h a I o t a
L ouise C uyler ..............
D e lta O m icron
E vellyn D avis. . ..................................... D e l t a O m i c r o n
L aila Skin ner . . ................ . $.......... M u P h i E p s i l o n
R achel W inger ............................... S i g m a A l p h a I o t a

he IVom en's F raternity C ou n cilis an organization composed

J
of the president and two
other members of each sorority, and strives to settle all inter-sorority problems.
The furnishing and supervision of the sorority room in the dormitory, as well
as other matters, come under the Council’s jurisdiction.
This year the Council has taken a definite step toward standardizing the
requirements for pledging new members. The rule adopted states that no girl
can be pledged before November 15th of her Sophomore year. All formal
rushing has been abolished, although each sorority is allowed to give one party
for the entire entering class. This new rule will doubtless give more stability
to the sororities.
E vellyn D

a v is

N in ety-tw o

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‘W here light and shade repose,
W here music dwells.”
— Wordsworth
N in ety-th ree

President

M a r y L o u is e M e r r it t .......................

M ild red E l g in . ................................................... Vice-President

Secretary

G ladys M e t c a l f . . . . . . . ...................

Juniors

Seniors
M
M
E

ary

L o u is e M

il d r e d
il e e n

l g in

alone

E
M

C a r r ie S h a w

e r r it t

uth

ladys

Sophom ores
M
E

ary

a v is

etca lf

F reshm en

on es

argaret

in if r e d

leanor

oughty

he Student G overnm ent Council

H
K

usted
e is e r

“ “ï 1 Ï X S

the highest standard of honor and integrity in all matters of personal conduct. In turn, decisions
involving more serious cases are referred to the Dean of Women and to the Director.
Since the formation of the constitution, slight changes have been made in order to cope with
specific problems. For the purpose of carrying out problems involving house regulations, the most
important of which is the “quiet rule,” a chairman has been elected from each house to act as
chairman of a House Committee, which is composed of the proctors from each floor. The fol
lowing have been elected to serve for the year 1928-1929: A House, Rachel W inger; B House,
Dora Long; C House, M ary Allen.
In the fall of this year the Council inaugurated the custom of a Senior-Freshman Tea, which,
we hope, will be continued from year to year. O ther social events of the dormitory were a Fall
Dance and a T ea Dance following the Formal.

N in ety-fo u r

'Ky-t-1

fm
m

tan
ScWpol
Dormitory

)he UDorWl^^ is the Eastman girl’s home in Rochester. In it she may
do practically anything she chooses, except scratch the
furniture, upset the fire extinguishers, take a shower after ten o’clock, entertain
her boy friend afternoons, and a few other doubtful amusements, like staying
out all night or holding “smokers” in vacant rooms.
Excitement is furnished early in the evening by the arrival and departure
of “dates,” and during the “wee sma’ hours” by bold, bad prowlers who mount
the fire escapes, seeking admittance, or by gallant swains from neighboring
frat houses who occasionally invade the court to serenade the maids held
captive within.
Living rooms, where girls may entertain their friends, are on the ground
floor and are thoughtfully provided with a limited number of sofas and softly
shaded lamps. The dormitory council is said to be considering the addition
of tiddledewinks, checkers, and dominoes to the dorm’s equipment for the
use of bashful or bored couples.
Yet, much as we may chafe at our bonds and resent our restrictions, we
love our cloistered home and are not unwilling captives within her walls.
L o u is e C u y l e r

s
&3S5
N in ety-five

N in ety-six

“ A P O L L O R O Y C E ” — By A lfr e d H agn au er

The Illiterate Digest

756

TA BL E O F C O N T E N T S
I
II
III
IV
V

laDlEcV’ aNd miSseS’ reADY-to-wE^r deP’T. faRM macHlNery dE/»T. ,
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.................................... mlscEL/an/sWA
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, paGE 104
............................................. pAGe 756
- PaGe 345
- P a G E 498
, p AGe 999

Subscription rate ( b o t h itnmraltr ANd W IL D ) PeR lb. $180.
send sT^mPS. thE S t I C k u m on tHE la ST l o r W A S N ’t PUre.

'D o N ’t

Fi/W bwiLdings deserve
fiNE hArJWar^

we Are soLe ciGenTs in tHisteRntOry foR T h E rOsE PIN£ suSpE«Fo R morRis-i/^NceRs.
coM e

let II & sH oW y O u t he la T eSt

in ANd BefiTTEd bY aN <?xPert.

smitH BAmeTt & co.
1776fRonT sTreet

eas T m a N Mar^Le knobS

d. n. tWeEdy & cO.
“ in tHe harDwAre BUsiNESS siNCE 1879

aRe yoU a soCIAL suCcesS?
if SO, WHy not tAKe up tHE saXaphonE
by malL?

after onLy twenTy LESSONs we gUarantee
you wiLL be aE\e tO pLAy sUch tuNeS
aS yankee ¿©oOMe
wITh natIVE flUENCy.
s?«d fOr ouR FrE? boO^/eT entITLed
“ th? grOwtH AnD ?Xp#«sioN Of
T H e gO itR E IND us T

r y ”

aLsO FO r freE cOf/poNH whicH mAy
hELp yo U TO win A b E A u tiF « /
a H E t/A N d pOny.

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wE speClAlize in P^/NLeSs
emBA//mNg anD quick
i?uRiaL. We Sp^4re no
eFFOR/ to PROvidE peR/ect
comFort.

georGe me nabB
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haVE yoU aN

infeRioritg compleX?
if sO wH Y noT tRadE ì t in On one oF oUr
NeW sUp^rloR siXEs.
tirES mAy be tHE

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wIshe S

boaRD in caSE one

aN unaVoiDablE delaY

taK e

PLAce aFteR

tHE

ShaDEs of NighT a R e dRAWN.

dEMoiVsteaTlons aT aNy tl Me
dAy Or nlgHT.

biGeLnW alltomoBilp
agEncY

T O P I C S

’

T T H E

D AY

345

SCIENCE AND INVENTION
For those who have a romantic soul
but lack technique, we quote the fol
lowing from True M ush M agazine:
T he article is entitled “ How. to W in
a Maiden and Lose Your Inde
pendence.” It will be helpful to East
man swains who are at a loss as to
how to begin what they can never end.
“ 1. One must select an object of
adoration. If. possible, try and get one
of the later models. Look about you.
Even tho she may be the future flower
of your heart, you will not find her
address in a seed catalog. This item
is important.
“2. Now you must meet the lady.
This ancient custom is still practiced
in certain parts of the country. Per
haps you have a mutual friend who
will perform this rite.”
Eastmanites desiring a formal intro
duction to any inmate of the dorm
will find Ed M urphy very valuable
in this capacity. W e read on—
“3. Now that you know the girl,
in case you are still willing to go on,
you should ask her for a date. This
may involve some financial outlay, but
the cost may be kept down if you
select a church social or free lecture.
W e favor a movie, however, even tho
the cost is greater, because the pictures
give you the setting, as it were, for
your campaign.
“4. Now that you are about to
start upon your first great adventure
you must be provided with the neces
sary equipment. First, a number of
snappy wise cracks will come in
handy. A remark that is always ap
propriate, no matter what has been
said, is the phrase, “And how!” Put
a certain firmness in the rendition of
the second word, with a slight upward
inflection of the voice. 10c in stamps
will bring you a small booklet contain
ing a number of these sayings. They
are much more effective if recited
from memory, as reading lends a cer
tain artificiality to them.
“5. In the theatre it is customary
to hold the girl’s hand. This is im
portant. There are several methods
of approach. T he girl’s hand may be
approached either from ambush or in
the open. T he former method is more
subtle. W hen her hand is within your
grasp hold it firmly, but gently.
About once in ten seconds a slight
squeeze will vary the monotony. A
good way to time these intervals is to
count slowly up to ten under your
breath.

FATAL HOMICIDE
Once upon a time at the Eastman School of Music, Cut-hbut Sa’gent was one of the
many pupils in Mr. Smith’s Theory I who faltered in the classing of heaven-born sounds into
sevenths-elevenths—-and was duly flunked out.
Twenty years later Cuth, now grown to manhood, came back for his revenge.
The above picture was taken just before the fatal homicide. Mr. Smith is the man
holding the bunny.

“6. After the theatre it is quite
optional as to whether you invite the
young lady to have a soda, ice cream
cone, or bag of popcorn. It is advis
able, however, to suggest one of these
in order to convey the impression that
you simply don’t give a darn how
much money you spend on her.
“ 7. But it is during the ride home
that your technique is put to the final
test. T he time has now come for you
to put your arm around the girl. This
is most important. A slight mistake
here might ruin your whole campaign.
It is very bad taste to suddenly cast
your right appendage about her neck
like the tongue of a South American
ant-eater going after its dinner. Very
bad. One’s conversation must lead up
gradually to this act. A bit of poetry
is ideal at this point. A few lines
of “Under the Spreading Chestnut
T ree” or “Old Ironsides” is very
good. A t the word “spreading” cast
out your arm in such a way as to
suggest the great limbs of the tree
swaying in the breeze. Now it is very
simple to allow your arm to come to
roost about her neck, and there you
are. This had better be rehearsed
several times at home before starting
out, to obtain the best results.
“If all this is carried through suc
cessfully the first night without serious
blunders, one may retire from the fray
feeling he has fought a good fight
worthy of reward.”

ANNUAL SMOKER HELD
AT DORMITORY
T he annual smoker given by the
Eastman faculty for the women stu
dents was held last Sunday in the re
ception room of “ Q ” house. T he af
fair was the most successful in the
history of the Dorm. T h e house
mothers were in charge of the refresh
ments and smokes, and saw that no
girl went without her cigarettes. T he
gathering was characterized by the
good old Eastman spirit, and many
a rousing Eastman song was hurled
through the blue clouds of tobacco
smoke. It was recently voted to equip
a smoking room at the Dorm. This
will be done soon. U ntil such a room
is provided, the girls must smoke in
their own rooms, except on occasions
like this last get-together, when the
parlors are thrown open to them.

EASTMAN MORRIS - DANC
ERS MAKE EASTERN TOUR
A bevy of lads from the Eastman
School of Music spent a very pleasant
Easter week prancing around New
England. They received ovations at
every dance-recital. In Boston their
success was just immense. Holdim
Down, in the Boston “Transgressor,”
says: “T he stalwart Eastman warriors
last evening delighted and thrilled an
audience of 27 lovers of the Terpsichorean art. After the exhibition they
were royally entertained at the clubrooms. Hey-ho, th ’ merry-o.

L E T T E R S

498

A N D

» A R T

F A M O U S O P E R A S G IV E N T H I S Y E A R
B Y T A L E N T FROM O U R C L A SS
CARMEN (Queen of the Beefsteaks)
C A ST O F C H A R A C T E R S
(Cigarette G irl in a Night C lu b )...............
. . . . . . . . . . . . . . . . . . '. . . . . . . . Florence Sandberg
E s c a m i l l o (Yardman at the Packing House) . . . . .
. . . ........... i-l"i . ; . . . . . . . . . ...........
Ken Collins
D o n J o s e (H er Lover— Strong M an in the Circus)
. . . . . . . . . . . . . . . ; . . . . . . . . . . . . . . . . Edgar Lehn
C h o r u s o f C i g a r e t t e G i r l s . .................. Bernice Sullivan ,
Alice Payne, Eleanor Van Dorn, Alar guérite Olney,
Grace Laube.
SY N O PSIS O F P L O T
C

arm en

A CT
ic h ig a n

oulevard

, C

A CT
h e

...........
L iz Henderson
Language at the
University of Davenport) ....................Edgar Lehn
e p h is t o
....................... .......................................................Ed Clark

L IL Y O F K IL L A R N E Y
E il e e n M a l o n e
T H E E L I X IR O F L O V E
E m m a E n sw o rth
L A F A V O R IT A
Su n n y P u n d
P A G L IA C C I
“T

h ic a g o

l a y e r s ,”

ertrude

Succum

, D
th
H

round

orothea

a rsh a

T H E M A G IC F L U T E
t o I t ........................ Ethel

the

im e

ouglas,

Codd Leaning

SA M S O N A N D D E L IL A H

S t o c k y a r d s - —T en

(Chief Harpist to Henry Ford) A l Hagenauer
(H is Late W ife—late once too often— present
address, Bungelow on the Styx) . . . .Alilow M errit
K i n g P l u t o ................................................................ Lou Demming

l a y in g

row n

(A Pillar of the School) . . . . . . . . Frank H ill
( S o greedy that she killed Samson’s cat to make
a muff) . . . . . . .......................... ..
Lib Scurry
LA B O H E M E

(She took “ Smith Brothers” too late) Kay Bodler
(Poet Laureate of the “ Business M en’s
G azette” ) ...........................................Henry Osborne
u s e t t a (T he G irl Friend) ............. ..
Evellyn Davis

M in n i
R odolf
M

P A R S IF A L
P

a r s if u l

(Knight of Love) ........................

Joe Schiff

S N O W M A ID E N
D o r is H e v e n e r
DAUGHTER
L

O F T H E R E G IM E N T
St e h l e

F ID E L IO
O sbourne

R O B E R T , T H E D E V IL
B obby B a r n es

ORPHEUS AND EURIDYCE
O
E

bed

Sa m s o n
D e l il a h

years have passed, in which
Carmen has longed in vain for Escamillo, but has drowned
her grief in chop-suey provided by Escamillo. One day she
decides to go to the packing house to get a fresh beef
steak from a newmown cow. She sees Escamillo driving
cattle into one of the pens, and starts toward him, singing
“You are M y Little Cowslip.” Before her horrified gaze
he catches his trousers on some barbed wire and the slit
discloses a long leg of red flannel underwear. A nearby
bull attacks Escamillo and tramples him before Carmen
can reach him. A t this point she seizes a knitting needle
from her sewing bag and stabs herself through the heart.
She falls on her lover’s remains. T he Fatima Company
has provided a red geranium in a tomato can to mark the
place where they fell.
T

FAUST (The Story of a Good Girl)
M a r g a r i t e (A Gold-Digger)
F a u s t (Professor of Romance

— Escamillo is seen
in the distance, driving a herd of cattle to the stock yards.
Carmen, hearing the commotion, rushes forth from a
nearby cafe, wheeling Don Jose, who has dropped a library
table on his toe during a recent performance. She is im
mediately smitten with Escamillo’s manly beauty and
sings him a beautiful aria entitled ‘-Heart Cowed Down.”
He is unmoved, and the thundering herd passes on.
M

C O M IN G S O O N

rph eu s

H A N SEL A N D G R E T E L

u r y d ic e

A C T

G
H

(O n the hunt for “Fanny Farmers” )
................................................... ..
Sally JVetmore
a n s e l (A Butter and Egg M an) ...........E d M urphy

retel

Orpheus, harp in hand, descends from the subway at
the gate of Hades. He knocks and demands admission,
but only Cerberus’ many heads barking is heard. He plays
a soothing melody called “ Bay, O W olf,” and the gates
open.
A CT

ane

F IS H E R S
Co

o l l ie

hen

S IS T E R A N G E L IC A
E l a in e Sa u v a g e

Orpheus is standing before Pluto. He offers the king
a tune in exchange for his wife, and commences to play
“ M y Blue Heaven.” Pluto is reminded of the days before
his fall (M ilton X : 19) and deeply moved, agrees to let
Orpheus take Eurydice with him provided that he never
looks at her ’til they reach the upper air. Eurydice ap
pears at a back door, but looks rather disconcerted when
she sees Orpheus. She refuses to accompany him, saying
she has been playing bridge with Proserpine and has just
lost $10. Pluto is evidently anxious that she go, how
ever, and tells Orpheus to lead her with a rope until they
reach the earth. He starts out bravely, looking straight
ahead, but soon succumbs to his desire to see his wife.
As he looks back he stubs his toe on a cactus plant and
plunges into the Styx, dragging Eurydice after him.

T H E PEARL
A llen, M

TALES

OF H O FFM AN

Transcribed by M argaret Sissons, Emily Hane, and
M ildred Elgin on arriving at the dorm
one nite at 12: 30.
M A R R IA G E O F F IG A R O
G ladys G o o d en o u g h
Q U EEN O F SH EBA
D o r is T a y l o r

ic t o r ia

R O M EO A N D JU L IE T
D y lew sk i and K en C

o l l in s

P A T IE N C E
it h M a n is o n

T H E F O R C E O F D E S T IN Y

Felt by the whole senior class during exam week.

C U R R E N T
SELECTIONS FROM WORKS OF
MR. WILLIAM SHAKESPEARE
A WINTER’S TALE
( N e x t m o rn in g .)
“B u t th e clock a t th e S a g a m o re w a s
te n m in u te s s lo w e r t h a n th is one, a n d E d
j u s t couldn’t g e t th e c a r s t a r t e d ! ”

THE PASSIONATE PILGRIM
(A

S on n et)

W h e n o ft a t n ig h t I s e a rc h m y m u tto n p ie
F o r som e sm a ll s h re d o f m e a t to fill th e
w ant
M y sto m ac h h a s ; o r seek to s a tis fy
T h e lo n g in g in m y a r ti s t f o rm so g a u n t,
A h , h o w m y m in d g oes b a ck to h a p p y
days
O f c h ild h o o d w h e n o n M e llin ’s F o o d I
fe d ,
O f m o th e r’s p ies s p r e a d o u t b e fo re m y
gaze,
A n d te m p tin g b its o f c ak e a n d ja m a n d
b re ad .
O u r b e e fs te a k s o f th e cow in N o a h ’s A rk ,
O u r p ru n e s a r e w rin k le d , v e n e r a b le f r u it,
O u r to a s t is cold, o u r cocoa b u rn e d , a n d
now '
I w r ite to m o th e r w ith a lo n g in g m u te :
“Y o u r c h ild is s ta r v in g , m o th e r d e a r ,
p le a s e se n d
Som e c ak e a n d fu d g e a n d n u ts.”
N ow
h e r e ’s th e en d .

VENUS AND ADONIS
See ’em a n y n ig h t in one o f o u r liv in g ro o m s !

THE TAMING OF THE SHREW
A F r e s h m a n tr y in g to g e t a tw e lv e
o’clock p e rm is s io n on M o n d a y n ig h t.

THE MERCHANT OF VENICE
“ M a c ’s”
sh o w e r!

a f te r

m o st

any

R o c h e s te r

Our Idea of
MUCH ADO ABOUT NOTHING
1.
2.
3.
4.
5.
6.
7.
8.
9.

F ir e d r ill.
E ig h t o ’clock p r a c tic e h o u rs.
W e a r in g sto c k in g s a t b r e a k f a s t.
S n o w p u d d in g .
P r o c to r s
T w o so fa s in one p a r lo r .
B e e th o v e n a f te r 6 P . M .
G o in g to bed .
G e ttin g up .

FAMOUS FOLK SONGS
1.

D r in k to m e o n ly w ith th in e eyes,
A n d I ’ll n o t a sk f o r w in e .
F o r s tu d e n t c o u n cil sa y s w e c a n ’t,
A n d 8 : 3 0 ’s a r e o u t o f m y line.
2. O h, no J o h n , no J o h n , no J o h n ,
n o - o - o !!
( F i r s t su n g in a d o rm ito ry p a r lo r ,)
3. C a n a b o d y k iss a b o d y
C o rn in ’ th r u th e c o u r t?
I f th e lig h ts a r e n ’t on a n d th e house
m o th e r ’s g o n e
I th in k ’tw o u ld be g r e a t sp o rt.

SUGGESTED MOTTOES
............................ B e a t H o b a r t
....................... A C o n c e rto o r B u st
O f f i c e . . . . C h ild r e n S h o u ld be S een
and N ot H e ard

T
E
T

astm an

T
T
T

he
he

C ollege

nnex

levator

....................................

..................... .. . I D o N o t C h o o se to R u n
F a c u l t y .............. T h e y S h a ll N o t P a s s
S e n i o r s . . . . I t W o n ’t B e L o n g N o w
J u n i o r s .............. T h e W o r ld Is O u rs
Soph o m o res

. . . . . . ... . . . , , . . , . . . .

................ — a n d W e R a n I t f o r T h e m
F r e s h m a n .............. A w , B e Y o u rs e lf

P O E T R Y

999

PERSONAL GLIMPSES
B R IG H T S A Y I N G S O F
T H E C H IL D R E N

M r. Tweedy (in Form
class)— “Bach, Beethoven
and Brahms each wrote
many variations, but I be
lieve t h a t M r. Heinz,
with his variations on the
pickle, holds the record.”
D r.H anson (to chorus)
— “Excellent, c h ild re n !
Now let’s just run thro
‘Beowolf’ once.”
Charles S iv e rso n (to
anyone who will listen) —
“W ho is the best man in
the house, and why am I ?
M r. Kaun— (censored).
M r. Royce— “T he con
versation of any woman
increases 100% in intelli
gence as soon as she has
taken a cigarette in her
hand.”
T . L. Kieth— “I ’m sor
ry, but you can’t smoke
here.”
Charlie Ja c o b s — “ I
wasn’t smoking, my cigar
ette wasn’t lighted.”
T . L. K.— “ W ell if if
had been, you would have
had to put it out.”

STORY OF MY LIFE—OR—WHEN GENIUS BURNS
By Howard Hanson
The above is an example of this richly illustrated, epoch-making
book. Published by Jonathan Apple Co.

Dear M e:
ACtually, my dear, I was all
REady to R O L L over and B U T ter
myself in disM AY when I saw those
FRESHm en T R O U P in g in. They
were REally the M O S T luGUbrious
looking SPECimens of H U m an NAture you can ever exP E C T to beH O L D . And the way they sort of
B A N d e d to G E T H E R made it
SEEM as tho they A L L had read
that STupid S T R E E T -car ad that
says there is SAFety in NUM bers,
you know. HONestly, my dear, it
made me all H O T and B O T H ered
at this point, beCAUSE the situAtion was comPLEtely beY O N D conT R O L . I mean it ACtually was,
my dear, do you know what I mean ?
T he way they DRESSed “ Fresh
man week” was H O N estly too funny.
Really, I was almost W H IP p ed down
to the N U B at this point, because
they really were so SCREAMish.
W hy the amount of G R E E N
aL O N E that they wore would have
made even an IR IS H m an happy all
his L IF E . I mean, they wore all
green clothes, and A p r o n s , and
SASHes, and things. REally, if they
were stood E N D to E N D , my dear,
they would have reSEM bled nothing
else than a L O T of BILLiard tables
out for a W A L K . I mean they
ACtually would, do you know what

I mean? A N D the way they walked
aB O U T , not knowing what to do or
when to do it, was SO odd that I
shall NEver look N A T u ral aG A IN .
W ell, ANyways, it was V Ery sad
the way they sort of conDUCted
themselves at our first C H O rus reHEARsal.
I was sitting near a
S L E W of them at this P O IN T , my
dear, and, H ON estly, they acted like
N O T H in g H Um an. I mean they
breathed SIG H S, deep, and long, like
the air escaping from a PIN-pricked
balLO O N , you know, and sort of
M ANaged to L O O K as tho they
were enD URing the physical disC O M fort of a C E N T Ipede T Y ing
his SHOE-strings, my dear. Can you
VAGuely perCEIve the situAtion at
this point? HON estly, you could have
SLAYed me with a F E A T H e r when
I heard one exPIRing youth inSINerate that he had N Ever heard
ANything like the “ Lament for Beo
w ulf” beFO R E, but that it W AS
oRIGinal, to say the L E A ST . I ac
tually felt as tho it were the last
straw to find in a HAYstack, or one
of those O D D sayings, you know.
Now, REally, my dear, don’t you
think that just too K IL L ing? I mean
the freshmen k n e w abSOLutely
N O T H in g about ANYthing. I mean
they actually did, my dear, do you
know what I mean ?
G e n e v ie v e
A p o lo g ie s to L lo y d M a y e r.

alk

lEasimatt §>ritmil of Mmxt
of tiff Umupraitg of Endffater
H

ow ard

an so n ,

Director

A n E n d o w ed School O ffering C om plete E d u ca tio n in M u sic

Courses leading to Degree, M aster of Music
Courses leading to Degree, Bachelor of Music
Courses leading to Eastman School Certificate
Operatic training for Professional Career
Organ accompaniment of Motion Pictures

Summer Session affords opportunity for intensive study
in all Departments of Music
Modern Dormitories for Women
For information address:
A R T H U R SEE, Secretary, Eastman School of Music
R

o ch ester

, N

ork

HOME

THE

STEINW AY

PIANO

• a / ’----------------------------------------------------------------------------------------------------------------------------------- n s *

THE WORLD’S BEST
MUSICAL MERCHANDISE
OOOCZDOOO

has been our constant policy and endeavor through
out our quarter of a century’s service to the music
student, teachers, and institutions, and to the lovers of music
in Rochester and Western New York, to not only carry
stocks so complete and comprehensive that every musical
want, no matter how trivial, could be found here, but also
to present for the fulfillment of these musical needs the
very best the musical industry produces.

healthy growth during these years, in a
large measure due to the valued patronage bestowed
upon the Levis Music Store by the students, the faculty
and directors of the Eastman School of Music, has con
vinced us of the wisdom of this policy.
ONSISTENT,

take the opportunity presented by this page to ex
press our deep appreciation of this patronage. We
reaffirm our policy of maintaining wide comprehensiveness
of stocks, high quality of merchandise, and sincerity and
courteousness of service.

■

Q o thank you and please remember we have everything
\^j) musical from a mandolin pick to a Steinway Duo-Art
Reproducing piano.
When Your Wants are Musical Come to

So l e St e in w a y R e p r e s e n t a t iv e

fo r

Ro ch ester

and

T e r r it o r y

EASTMAN THEATRE
E R IC C L A R K E , G

eneral

anager

R O C H E S T E R , N. Y.

Opened September 4, 1922

For the Enrichment of Community Life

Y the terms of the gift of George Eastman, this theatre is the
property of the University of Rochester, to be operated by a
separate board of trustees and maintained for the promotion of
musical interests in the City of Rochester. Any surplus from the
operation of the theatre is to be used for this and no other purpose.

DEDICATED TO MOTION PICTURES AND MUSIC
H o me of the Rochester Philharmonic Orchestra

The Qrand Organ in the
Eastman Theatre
Was Built by the

A U S T IN O R G A N CO M PA N Y
HARTFORD, CONN.

It is an IM PO RTA N T LIN K in a chain of
M A G N IFIC EN T FOUR MANUAL ORGANS
Extending from the
ATLANTIC to the PACIFIC.

MANUALS

u n ic ip a l

. . . . 4

115

Rochester, N. Y.......................

. 4

229

Chicago, 111...............................

. 5

. .

. 4

115

. 4

124

. 4

121

u d it o r iu m

E a stm a n T

heatre,

em ple,

e d in a h

n iv e r s it y o f

orm on

u n ic ip a l

C olorado,

abernacle,

STOPS

Portland, Maine

Boulder, Colo.

-Salt Lake City, Utah

u d it o r iu m

San Francisco, Calif.

S T E IN WAY
the instrument of the immortals

The Ebonized Baby
Grand— $ 1 4 0 0
T h is in s tr u m e n t is s m a ll
e n o u g h f o r th e m o s t li m i te d
sp a c e , y e t i t r e ta in s th a t
b r e a d th a n d b e a u ty o f to n e
w h ic h a tr u e g r a n d p ia n o
o u g h t to h a v e • A v e r y p o p u
la r m o d e l .

Not only the best piano, but
the best piano value
value ever offered! . . . A nd you
can easily own on e. M ake you r
visit to Steinway H all today.

STEINWAY pianos are n ot — and
never have been— b uilt to m eet
a price. T hey are m ade as w ell
as hum an sk ill can m ake them ,
and the price is determ ined later.
T h e result is the w orld’s finest
pian o.
Such an instrum ent naturally
costs m ore than a com m onplace
product, and yet, in p oin t o f long
life , prestige, and beauty o f lin e
and tone, it is the greatest piano

A new Steinway piano
can be bought fro m

$ 8 7 5 up
Any Steinway piano m ay be purchased
with a cash deposit o f 10%, and the bal
ance will be extended over a period o f
two years. Used pianos accepted in
partial exchange.

STEINW AY & SONS, Steinw ay H a ll, 1 0 9 W est 5 7 th S treet, New Y ork

So l e St e in w a y R e p r e s e n t a t iv e

for

R o ch ester

and

T e r r it o r y

K o HC€R (y

OiMPDett

•PIANOS
P L A Y ERS

QRANDS
PERIO D ¿M ODELS

The Tatest
Kohler ü f Campbell Piano

N the home, the Kohler & Campbell is the
ideal piano. Its full, rich tone and beautiful
case work instantly appeal to the discriminating
music lover. Over 270,000 Kohler & Campbell
pianos are now bringing joy and happiness to
the homes of America.

O meet the demand for small, high-grade pianos,
Kohler & Campbell present their latest achieve
ment— pianos only 43 inches high and players but
45 inches high, of full, superior tone, in period
designs and new art finishes. These beautiful in
struments are especially popular in modern small
homes and cozy apartments.

M. P. MÖLLER PIPE ORGANS
EACH IS THE LEADER OF ITS KIND

T H E M ÖLLER CHURCH AND CONCERT ORGAN
T he M öller Church and Concert Organ stands supreme in musical and me
chanical features and is so recognized by prominent organists and the musical public.
T H I R T E E N M Ö L L E R O R G A N S A R E IN U SE IN T H E E A S T M A N
S C H O O L O F M U S IC . Among notable installations of M öller Organs are those
in Cadet Chapel, W est Point, N. Y .; New York M ilitary Academy, Cornwall, N. Y.,
( “Artiste” Reproducing) ; Administration Building, Larkin Co., Inc., Buffalo, N. Y.,
( “A rtiste” Reproducing); First Presbyterian Church, Chicago, 111.; Euclid Avenue
Baptist Church, Cleveland Ohio, and that in the Municipal Auditorium, W ashing
ton, D. C.

T H E M Ö L L E R “ A R T I S T E ” R E P R O D U C IN G O R G A N
T he M öller “Artiste” Reproducing Organ F A IT H F U L L Y reproduces and
preserves the playing of the master organists and is also equipped to play a symphonic
type of record made by a distinctively original process. T he registration of all records
is edited T O C O N F O R M T O IN D IV ID U A L S P E C IF IC A T IO N R E Q U IR E
M E N T S O F EA C H O R G A N . Its playing is indistinguishable from master hand
playing.

T H E M Ö L L E R “ D E L U X E ” T H E A T R E U N IT O R G A N
T he M oller “DeLuxe” Theatre U nit Organ has no equal in its particular field.
W ith it; the widest possible scope for unusual musical effects is available to theatre
organists.

M. P. MOLLER
Factory and Executive Offices

H A G ERSTO W N , M ARYLAND
SALES OFFICES
1203 F ranklin T rust B ldg., PHILADELPHIA
129 N orth A ve. N. E., A TLA N TA
224 L athrop B ldg., KANSAS CITY
1514 F orbes St., PITTSBURG H
6054 Cottage G rove A ve., CHICAGO
2367 M arket St ., SAN FRANCISCO

1626 C alifornia St., DENVER
1203 L oew B ldg., 1540 B'way ., NEW YORK CITY
M edical A rts B ldg., MEMPHIS
1009 F irst A ve., SEATTLE
333 J ackson B ldg., BUFFALO

T H IS B IN D IN G P R O D U C E D BY

WM. F Z A H R N D T & SON
Seventy-Seven St. P a u l Street

R ochester, N ew Y ork

D E S IG N E R S A N D B U IL D E R S
OF
B O O K B IN D IN G S A N D

C O L L E G E A N N U A L CO V ERS

Tour Home Store
Not simply to be a store wherein you may make almost any
desired purchase— but to be a store which, through its courtesy,
quality of merchandise, and fairness, means “Home Store” to
you. That is our greatest desire.

Sibley, Lindsay & Curr Company

S c h irm e r’s L ib ra ry

DRAW

P A IN T

SKETCH

°f

It's Lots O f Fun

M u sic a l Classics

ALL MATERIALS OBTAINABLE
AT

Consisting of more than 1500 volumes, embracing all
classifications of music—Piano, Organ, Voice,
Violin, ’Cello, Ensemble Music, etc.

H. H. SU LLIV A N ’S

Editorially referred to as

T E C H N IC A L M E R C H A N D IS E

“A M ONUM ENT TO AMERICAN PROGRESS
IN MUSICAL A RT.”

67 So uth A ve .

152 E ast A ve .

The Basis for the Musical Education of the Nation
To practically every music school and teacher in the
country, it is the foundation of their teaching ideals.
As in the past, we shall continue to build this Edition, not
according to its probable salability, but in a
manner that will justify the opinion of
a prominent music educator who
names it:—

For All Your Drugs

l,The Most Comprehensive Edition Known to the
Musical World—an American Institution— Trustee
of the Classics and Champion of Musical Progress.”

CRA M ER D R U G
STORES

In this monumental collection of classical music, there
are more than thirty-five thousand compositions, by three
hundred and twenty-five composers.
Send for Complete Catalog

67 E ast A ve .

G . S C H I R M E R , In c .

1286 D ewey A ve .

3 E ast 43 rd St ., N ew Y ork

Dennison Organ Pipe Company
Flue and Reed

ORGAN STOPS
Metal or Wood

Voiced for Churches, Schools,
Residences, Theatres

W IL L IA M S. D E N N ISO N
Treasurer and Manager

1847

READING, MASS.

1928

W ’i offer our services

SUTRO BROS. & CO.

in connection w ith
Underwriting and distribution of
securities.

Members
New York Stock Exchange

Execution of orders in listed and
unlisted securities.
Selection and supervision of
investments.

404 L

in c o l n

-A

l l ia n c e

B a n k B u il d in g

ARTHUR SUMMERS
M anager

Tucker, Anthony & Co.

M e m b e r s N e w Y o r k a n d B oston Stock E x c h a n g e s

R o c h e st e r O f f ic e ,
W

il l a r d

201
J.

P ow ers B u il d in g
S m it h

M anager

eleph o n e

Sto

1100

" It has taken 200 years to build the W urlitzer Piano ! ”

H EN Hans Adam Wurlitzer, in the year 1732, de
signed the violins that brought him fame and
caused him to be honored by the Saxon guild with
the title “Master Violin Maker,” he laid the
foundation for the superior quality of the Wurlitzer Pianos
of today. From that early date to the present time eight
generations of the Wurlitzer family have carried on in the
work begun by the old Master violin maker, extending into
all branches of musical instrument making.

W u p u Izeh
P ian o s - O rg a n s - H a rp s - R a d io - M u sical In s tru m e n ts
364 E.

a in

ROCHESTER, N. Y.

St r e e t

COM PLIM ENTS
of the

John JJither &P Son Qompany

H IL L G R E E N , L A N E & C O M PA N Y
B u ild ers of

P I P E O R G A N S for Residences, C hurches
T heatres, Schools and H alls

T h e ir instrum ents are of strictly artistic character.
T h e voicing is enthusiastically endorsed by leading or
ganists, and the m echanism is unusually dependable, the
chests possessing no perishable m em branous m aterial.

H IL L G R E E N , L A N E & C O M P A N Y
Correspondence Solicited

F a c t o r ie s : A

l l ia n c e ,

h io

This Desk was made for You!
Whatever your business, this desk can be arranged to meet your exact requirements.
And how this desk saves time! Big, roomy drawers keep often-referred-to card
records or papers right at finger tips, visibly indexed, instantly accessible. No
valuable minutes wasted walking to the files or waiting for a file clerk.

Desks
are equipped with patented roller bearing slides. Heaviest
loaded drawers roll in or out at a touch.
Six Models— For Executives, Salesmen, Stenographers,
Clerks or General Offices

V A W M AN AND F R B E M F G .0 .
W e will gladly tell you how much time,
trouble and money can be saved in your
office with desks that are made to fit the
work of each individual.

jQg

A ve.

S t o n e 2431

R O C H E S T E R , N. Y.

A. W . H o p e m a n & S ons Co.
B U IL D E R S
ROCHESTER, N.Y.

H O W E, SNOW & CO M PA N Y

120 B roadway

N EW YORK

Compliments o f
IN V ESTM EN T SECURITIES

T h e H a lo id C o m p an y
ROCHESTER OFFICE

931-933 L incoln -A lliance B uilding

PHONE, STONE 50-51

a r v is

R obertson

l e ic h a u f

T H E PO CK ET MUSIC STU D EN T
T he opening books in a new series of interest to every student and lover of Music
L O W IN P R IC E

P O C K E T SIZE

THE W HY AND HOW OF MUSIC STUDY - - - By P r o f . C h a r l e s H.
A helpful book for students, parents and teachers
NOTED NAMES IN M U S I C .................................................................... B y
Concise, up-to-date biographical data
HANDBOOK OF MUSICAL TERMS .............................By
With compact, clear-cut definitions

rof.

in t o n

arl

a rn sw o rth

B altzell

PSYCHOLOGY FOR TH E MUSIC T E A C H E R ...................................By W a l t e r S.
Gives the teacher a working knowledge of modern psychology

ehrkens

is h e r

TOUCH AND EXPRESSION IN PIANO PLAYING - By P r o f . C l a r e n c e G. H a m i l t o n
Treats succinctly of the kinds of touch and their application to expressive pianism
CLEARCUT SPEECH IN S O N G ....................... - - - - - By C l a r a K a t h l e e n
A helpful and much-needed work of especial service to American singers
HEALTH HINTS FOR MUSIC STUDENTS - - - - By W
A sane and practical book free from fads

allace

a m il t o n ,

ogers

M. D.

Each book, 60 cents

OLIVER DITSON COMPANY, 179 T r e m o n t S t ., BOSTON
CHAS. H. DITSON & CO., 10 E a s t 34th S t ., NEW YORK
T ry Your M usic Store First

McCord
242 A l e x a n d e r S t r ee t

STEP L I V E L Y

PARIS M O D E L S
R EPLIC A S
SPEC IA L D E S IG N
SPO RT W EAR

E V E N IN G G O W N S
Black Calf and Honey., Biege Calf

I 'H IS is the
eyes and
sprightly along
smile in a pair
*

day of pep and zing, of sparkling
snappy styles. You can step
with unhindered step and happy
of

M EN IH A N ARCH-AID SHOES
The shoe that will bring to you instantly the
comfort and relaxation you have always craved
without sacrificing the style you always demand.
Ask to see this famous shoe and let us demon
strate it.
ARCH-AID SHOE SHOP
86 E ast A v en u e
O PP O S IT E C H ESTN U T

A Leader of Fine Pianos Since 1823

W E C H SL E R
T H E F U R R IE R

f ^ H O U S A N D S of designs, but one standard of
quality. Consult us for samples, sketches or
ideas on sorority pins, pledge pins, engraved personal
and school stationery, dance favors.

Announces that
T H E M E T A L ARTS COM PANY, In c .
742 Portland Avenue
R o c h e st e r , N. Y.

TH E 1928-29 STYLES ARE HERE, AND
NOW IS TH E TIM E TO HAVE YOUR
OLD FUR COAT REMODELED. LET US

Stone 2176

Phone for a Representative

SHOW YOU TH E TRANSFORM ATION
EFFECTED BY OUR EXPERT IN REN
OVATING OLD FURS INTO NEW.
STORING
MEANS

YOUR
A

FURS

WITH

THOROUGH

CLEANING

HANNA LUMBER CO., I nc.

A ND GLAZING AND COMPLETE IN

D E A L E R S I N A L L K IN D S

SURANCE A G A IN ST FIRE AND TH EFT.

OF L U M B E R
133 M

Store Located at

urray

S tr e e t

R o c h e st e r , N. Y.
B a p t is t T e m p l e B u il d in g

46 North Street

Office Phones: Genesee 1716— Genesee 1715

Stone 3563

Compliments o f a Friend

I n te r s ta te T e a c h e rs ’ A g e n c y
COMPLIMENTS OF

500 D

u f f y -P o w ers

B ldg .

ROCHESTER, N. Y.
ESTABLISHED 1905

F o r d C lean ers an d

H. S. A rmstrong

T . H. A rmstrong

D y e rs, In c .

BOUCHER

S t o n e 530— 531

345 M ain St . E ast
30 E ast A venue

H elen M ercer

Flowers
ROCHESTER, N. Y.

Both Phones

P hone M ain 2169

B U ELL P. M ILLS

R o c h e ste r D y e in g a n d
C le a n in g C o .

IN S U R A N C E

M. S. LEACH, F. J. CIESLIK, Props.

M A STER S O F C L E A N IN G A N D D Y E IN G
234-236 GRANITE BUILDING
20 C linton A ve. South
(Hotel Seneca Bldg.)
Plant: 65-67 Hickory Street

ROCH ESTER, N. Y.

From a Friend

“ONE OF THE

Do You Know the Exact Condition of Your Eyes?

K
P
W

hether

are

(jreat Qlothing Stores
o f «.America”

now

o s it iv e l y

hey

Sh o u l d B

in other ‘words—

B. B. C L A R K O P T I C A L C O .

T H E N A T IO N A L C L O T H IN G C O .

12 GIBBS ST.
R o ch ester,

N. Y.

159 East Main Street—at Stone

For the
Travelwise !

—and for those who
would be travelwise.
As inevitably as the
sun rises and trains
depart Likly Luggage
is first choice of the
experienced!

s t a b l is h e d

1864

F ee B rothers
BEVERAGES,
F R U IT P R O D U C T S ,
SYRUPS A N D
21 N. W

EXTRACTS
ater

St .

HARTS
125 HOME TOWN STORES
PR IC E CU TTERS
On Nationally Advertised Quality Groceries

Profit Sharing Coupons
that bring handsome Gifts
N E W P R E M IU M P A R L O R S

You are invited to visit the New Premium Parlors at
127 North Street, 2 blocks from Sibley’s

ST O N E & W E B ST E R
A N D B L O D G ET

V s C illin e ry

Fur Scarfs

Incorporated

Fur Coats
Cloth Coats

IN V E S T M E N T S E C U R IT IE S
B o sto n

N ew Y ork

C h ic a g o

Our Storage System w ill protect
Represented by

your Furs fro m Moths, F ire

J o s e p h F. D r y er

and T heft

39 State Street
R

ochester,

ork

M ENG-SHAFER-HELD
TWO STORES

186 E a st M

a in

and

P ow ers B lo ck

Telephone

Me C. Hazelton Brown

Main 6175

Edward S. Gregory, Jr.

“itert Me at grrattimna”
Is often heard around Eastman School.

y \ N ideal place to wait for your friends, for the Scrantom shops are perpetual
X V. bazaars of the new merchandise from the best manufacturers and publishers
here and abroad.
T he Book Shop is one of the greatest book stores, while the shops devoted to
Social Stationery, A rt Novelties, Leather Goods, Educational Supplies, Sporting
Goods, Games and Toys and Office Equipment are equally complete.
Everything is arranged to make a leisurely examination of all stocks most en
joyable, and the Scrantom slogan since 1868 has been

((Come in and Browse”

L ocated

334-336 MAIN ST. EAST

no th er

S c r a n t o m ’s
P

the

ow ers

B u il d in g

What Others Are
Saying

Let Us
Move Your Piano

O G D E N L. M IL L S , in the February “ Survey
Graphic,” tells what the proponents of the Power
Authority should be called upon to show.

!There is a Treason

Its p ro p o n en ts sh ou ld s h o w

d e f i n it e ly '.

L ocal

1. “That the Power Authority can build and operate
power plants as cheaply or more cheaply than private
enterprise. This involves three factors: a, construction;
b, finance; c, operation.

and

L ong-D

F u r n it u r e M

is t a n c e

o v in g

2. “That the benefits to the consumers w ill be sufficiently
great to justify the abandonment of private initiative
and enterprise in favor of government operation.
LARGE PADDED VAN

3. “That the plan w ill safeguard the business interests
of the state and protect the public from exploitation.
4. “That the system of leases under the Federal Power
Act and the state power law are inadequate to protect
the public interests.”

Frank P.McGahan

R o c h e s te r G as & E le c tric
C o rp o ra tio n

M a i n 3326

31 I n d u s t r ia l St .

FULL W E IG H T

CLEAN COAL

BAG DELIVERY

C. SOLON KELLOGG
143 P owers B uilding
M ain 886

Yard and T reltle
E xchange Street , C or. C larissa

HEADQUARTERS FOR

ANTHONY J, H E IN Z L E
STROMBERG

KOLSTER
PLUM BING A ND H E A TIN G

RADIO
RADIOLA

CROSLEY

666 U niversity A v e n u e

S P O R T IN G G O O D S

ROCHESTER, N. Y.

RUDOLPH SCHM IDT & CO.

f 4S77

Phones Monroe < .
( 4578

43 South A ven u e

DESKS

C H A IR S

N aram ore - H ein r ic h C ompany

SAFES

O F F IC E F U R N IT U R E

Loose Leaf Books and Forms

A N D S U P P L IE S

Globe-Wernicke Bookcases
Office Supplies

DESKS
C H A IR S

JO H N R. BOURNE
131-133 State St .

F IL E S

SAFES

F IL IN G S U P P L IE S

R ochester, N. Y.

168 So uth A v e n u e

Stone 4080

PIANOS

WILLIAM F. KALLUSCH
Merchant Tailor
605 T E M P L E B U I L D I N G
R o c h ester , N. Y.

RENT A NEW

CAR

Drive I t Yourself
LOWER

RATES

BETTER SERVICE

U-DRIVE-IT-SYSTEM,
68 BROAD STREET

STIEFF
IVERS & POND
SOHMER
CONOVER
CABLE
SCHUMANN
SETTERGREN
RICCA

In c .
MAIN 6429

L IT T L E & H O PK IN S
IN C O R P O R A T E D

INVESTMENT
S E C U R IT IE S

Reproducing Pianos
THE E X C L U S IV E HOUSE

1880 - 1928

ALTPETER’S

Cutler Bldg .

36 St . Paul Street
102 C O X B U IL D IN G

Rochester , N . Y.

E S T A B L IS H E D 1911.

Good workmanship in furs, like in jewels, cost more, but prove the better
and wiser investment
The comfort, joy and appearance is thrilling.
both knowledge and experience.

The average furrier lacks

Therefore Consult an Expert

H U D E S , Custom Furrier
11 GIBBS STREET

Near Eastman School of Music

MANUS

THE MUSIC BOX

International Orchestra Catalogue
Music by Famous French Masters

49 G ibbs Street

M o u t o n , F o ss e , G a b r ie l -M a r ie ,

D ’A m b r o s io , G i l l e t ,

E tc.

All Piano Conductor Parts are Thoroughly Cued
A N E X C L U S IV E L IB R A R Y O F M O T IO N P IC T U R E M U S IC

Directs Your Attention

FOR THE

P R O G R E S S IV E O R G A N IS T

Send for Thematic Catalogues and our Special Mammoth Offer
to Motion Picture Theatre Organists

To A Complete C ollection

M A N U S M U S IC CO., Inc.
145 W

est

45th S t r e e t

REQUIRED MUSIC

N e w Y o r k C it y

Carried I n Stock A t A ll T imes
H otel S eneca

B ldg.

£
R o c h e s t e r , N e w Y ork

For the Convenience of

EA STM A N SCH O O L

d>. IE. Sucker (£0.

STU D EN TS

LA D IE S
Be Sure That Bridge Prize is a
T U C K E R T IE
Importers and Makers of Choice Neckwear
23

A R TISTS’ SUPPLIES
fo r
SCHOOL AND PROFESSIONAL WORK
Instruments in sets, drawing tables, pen-andink and water-color boards, drawing paper,
illustration boards, slide rules, triangles,
curves, T-squares, thumb tacks, inks, pens,
pencils, erasers, etc. Also oil and water-color
supplies, show card supplies, etc.

BARNARD, PORTER & REM INGTON
9-11-13 N o r t h W
P

hone

a in

ater

St r e e t

8140

Efficiency

Courtesy

G arden Supplies
D airy S upplies
P oultry Supplies

J O H N F. G I L B E R T
BARBER

Burr & Starkweather Co

A ll Styles Ladies’ Hair Cut

42-48 S t o n e St ., R o c h e st e r

8-10 Swan St .

EZR A J. B Ö L L E R
H O W E & ROGERS CO
C L IN T O N

AVENUE

832-834-836 G r a n it e B u il d in g

SOUTH

E V E R Y T H IN G
IN

FURNITURE

IN S U R A N C E
FLOOR COVERINGS
A

s s o c ia t e s

EMIL R. BÖLLER
DONALD G. CLARK

DRAPERIES
Main 5305

Main 6343

Hibbard, Palmer

Ready Money

f ®

Kitchen

For you w h en you reach a g e 60—

M embers N ew Y ork Stock E xchange

O r fo r you r w if e if you fa il to reach
a g e 60—
O r fo r you r son or d a u g h ter w h en the
tim e com es to en ter the

Eastman School of Music

BONDS
GOVERNM ENT

IN D U S T R IA L

M U N IC IP A L

W here Is I t Coming From f

R A IL R O A D

FR E D S. L E W IS

P U B L IC U T I L IT Y

e p r e s e n t in g

B erkshire L ife Insurance Co.
INCORPORATED 1851
F rank H . M

100

P o w e r s B l d g ., R o c h e s t e r ,

Gen. Agt.

cC hesn ey,

N . Y .
302 U N I O N T R U S T B U I L D I N G

Fur Coats Insured

Drayton, Penington
&
Colket

A L L H A ZA R D S

MEMBERS
N

Sto ck

ork

M I N I M U M P R E M I U M 1 $5.00

E xchange

A ll K inds of I nsu r a n c e W ritten

OFFICES

N ew Y ork

P hiladelphia

R ochester

B uffalo

Syracuse

M. E. W O L F CO M PA N Y

U tica
P

it h

r iv a t e

g a in s t

hone

: M

1511

a in

106 P o w e r s B l d g .

ir e s

C hicago

B oston

C leveland

D etroit
IN S U R E

T oronto

Y O U R

A U T O M O B IL E —

an d in su re it for ad eq u ate lim its in a
sto ck c o m p a n y

I N V E S T M E N T S E C U R IT IE S

Don't Forget Residence Burglary Insurance
S p e c u l a t iv e A

ccounts

C o n s e r v a t iv e M

C a r r ie d

no s,

R. S. PAVIOUR

a r g in

31 E xchange St . B ldg.
A . B. E

1007 C o m m e r c e

R ochester

SON, Inc.
B

ldg

A l l K in d s o f I n s u r a n c e E x c e p t L i f e

Manager
25

C. M .T O P L IF F

V ilue F irst— PA I N T S

Organ B uilder
Springtime is Paint-time
WE

M O D E R N IZ E

OLD

IN STR U M E N TS

B lo w ers F u r n i s h e d a n d

EV ER Y TH IN G

I nstalled
YE A R LY C O N TR A C T S A SPE C IA LTY

Over 150 Pipe Organs in Rochester
and Vicinity under our care at
the present time

Office: 41 S T R O N G S T R E E T
R

ochester,

For

Quality Paints
SEE

V IA L L & SO N
5 NORTH W ATER STREET

N. Y.

PHONE M ain 733

C R O SB Y ’S
F U R ST O R A G E
O ur A U T O M A T IC C O L D S T O R A G E SYS
T E M is absolutely reliable and relieves you of
caring for your furs during the summer months.

We will call for your Furs and store them F R E E
OF C H A R G E until Fall, if repairs are made to
them.

REPAIRING A N D REMODELING
Why not get our estimate for repairing or making over
your Fur Coat in the latest style? Have your Garments
repaired now at Factory prices.

DEAL

C o a ts M
W ITH

ade

51 G r if f it h S tr ee t

GENERAL CONTRACTORS
D ea le r s i n B u il d e r s ’ S u p p l ie s

O rder

THE M ANUFACTURER

C R O SB Y F R IS IA N F U R C O .
G l e n w o o d 206

Whitmore, Rauber
S i Vicinus

571 L y e l l A v e .

IN T E R IO R M A R B LE A N D

TIL E

B efo re Y our A u to A c c id e n t
P hone forolnsurance Covering

Liability, Property Damage, Fire, Theft, Collision
M ain 1022 or 1023

401-406 W ilder B ldg.

D u tto n ’s in s u r a n c e O ffic e

COMPLIMENTS

C O M P L IM E N T S

OF A

T . H . G R E E N E L E C T R IC

F R IE N D

C O M P A N Y , Inc.

JE N K IN S

M ACY CO.

HARD AND SOFT

COAL
ALSO C O K E

W H IT T L E ’S LUNCHES
W H IT T L E ’S CANDIES
W H IT T L E ’S SODAS

General Offices, 100 Cutler Bldg.

42 East Avenue

R e t a il S tores
38 East Avenue
46 Main Street East, Restaurant
44 Main Street East
84 Main Street W est
The Cottage, 1784 East Avenue
W hittle’s 5 and 10c, Front Street, Off of Main Street
and Clinton Avenue South

P h o n e S t o n e 416

119 Child St.

YARDS

1045 M ain St. E.
Leaders of Quality for Over Forty Years

27.

GERLING

B E R T G O O D W IN

L. J . ZW IERLIEN
W . G. SPIN N IN G

Violin Maker

T h e z j i r t T r in t S h o p

N ew and Old Violins
Cases

P R IN T E R S

P U B L IS H E R S

Bows

Expert Repairing

77 St. Paul Street

o c h e s t e r

Bows Refilled

P hone M ain 5470

B ox

u m b e r

Fittings

390 M ain St. E. (O ne Flight U p) Rochester, N. Y.

ROCHESTER, N. Y.

Strings

L O C K E R S

a n d

STEEL LOCKERS
SHELVING, CABINETS

GENERAL EQUIPM ENT

L y o n L o c k e r s a n d S h e lv in g

U s e d b y U n iv e r s ity

M a n u f a c tu r e r s

Lyon Metallic Mfg. Co.

P A C K IN G CASES A N D SH O O K S

61 S O U T H A V E N U E
R ochester , N. Y.

ROCHESTER, N .Y .
PLANT

AURORA, ILL.

STONE 339

Lee, Higginson & Co.
ESTABLISHED 1848

N EW YORK

ciS n itec/¿heated

BOSTON

C H IC A G O

a n t/

H I G G I N S O N & CO.
LONDON

OßoweiM mmt ¿/¿m u fad

a n t/
RAY M . SM ALL, Representative

T n a h d fa a / 'Sffihancm a

1200-1202 LINCOLN-ALLIANCE BANK BUILDING

ROCHESTER

M O V IN G — P A C K IN G — S T O R A G E
T ra in ed

Men — C om plete

E qu ipm en t

R O C H ESTER STO RA G E W A R E H O U SE S
O w n e d a n d O pera ted by Rochester C arting C om pany
25 -2 7 N . W A S H IN G T O N STREET

Phone, Culver 802

TELEPHONE MAIN 205

\(2428

Established 1914

MAIN 2429
(2430

W I L L I A M J. E N G L E R T
Printer

A M E R IC A N T A X IC A B CO.

For High Class Printed M atter
287 CENTRAL AVE.

415

a rso n

ve.

o ch ester

N. Y.

C A D ILL A C S

PA C K A R D S

S T A T E A N D M U N IC IP A L B O N D S

S ty le

L e h m a n B ro th e rs

is a

NEW YORK CITY

Q u a lity
— no less than the character of the fabric of which
it is fashioned.
And fashion right young women and young
men have style also in mind when they refer to
M cCurdy’s as

The Q uality S to re

iUrCEuriig $c €

Represented by

B U ELL D. W O O D R U F F
.

in c o l n

-A

l l ia n c e

n k

ROCHESTER, N. Y.
T

elepho n e

St o n e

890

ldg.

ROCHESTER

“ Say it with Flowers”

STA TIO N ERY COM PANY
J . B. K E L L E R S O N S

Office Furniture and Equipment

INCORPORATED
DESKS
TABLES

F L O R IS T S

FILING EQUIPMENT
CHAIRS
BOOKCASES
COSTUMERS
CARD TABLES
FOLDING CHAIRS

Visit our Display Room
25 Clinton Avenue North

108 MILL STREET

G. W. I ngmire
P res. & T rea s.

J. F. L eF eber

I. E. WlNCHELL

O tis J. N agle

S e c r e ta r y

V ic e - P r e s .

V ic e - P r e s .
M C O RPO fíA T£D.

E FU N E R AL

DIRECTORS
»37 CHESTNUT ST„ CORNER OF COURT ST.

Rochester, NX
PHONE MAIN 267

n t il e v e r s
FOR

SAM B. E R N E S T

Comfort Covers
T he shoe that assists nature to do

H A T SH O P

its work properly
17 G ibbs St .

S hoes S h ined

10 Sw an St .

ESTABLISHED 1852

The language o f Flowers

Seventy-six years of service

You may depend upon our flowers to say the
“right” thing — no matter what the occasion!

E G B E R T F. A S H L E Y C O .

ca n s e n d a b e a u tif u l f l o w e r

g r e e tin g

G E N E R A L IN S U R A N C E

th e

c o n tin e n t

T H E SENECA FLO RIST

SECOND FLOOR
UNION TRUST BUILDING

M a in St . W .

across

in a f e w h o u r s . J u s t s a y “ F .T .D .”

O pen E venings

and

PHONE STONE

R ochester , N . Y.

H otel S eneca A rcade

M A IN 444

S undays
26 70

R ochester , N . Y.

T H E PE R F E C T WA Y
T o Heat Your Home or Building

If Hunger—

Is with an

D E M A N D S A N E X P E N S IV E , T A S T Y

ELECTROL OIL
BURNER

R EPA ST, A N D —
YOU R PO CK ETBO O K PR O M PT S O F

E LEC TRIC IG N IT IO N

C O N S E R V A T IO N , T H E N —

Q U IE T O PER A TIO N
CAN BE IN STALLED IN H O T AIR, H O T W A TE R ,
STEA M OR VAPOR H E A T IN G SYSTEMS

Appease your appetite and

Ends all D irt, D rudgery and W orry in con-

please your pocketbook

nection with your H eating P lant
BY D IN IN G A T T H E

Y o u a r e i n v i t e d to v i s i t o u r s h o w r o o m a n d s e e E le c tr o l
u n d e r a c tu a l o p e r a tin g c o n d itio n s

M ANHATTAN RESTAURANT

H O W E & BASSETT CO.

25 E ast A v en u e

840 U niversity A ven u e
M onroe 3
P lu m b in g

a n d H e a tin g S in c e 1 8 8 5

J. E. M cM A NUS
M ILL AND JA N IT O R SUPPLIES
FLOOR BRUSHES, MOPS, BROOMS^ ETC .
Sales Agent

N utting T ruck C ompany
Quiet Rolling T rucks for School, Hotel, Hospital
and W arehouse

Telephone M ain 6496
15 A ndrews Street

S p e c ia l E q u i p m

R ochester, N. Y.

ent

E x p e r ie n c e d M

and

fo r

PIANO M OVING
KROYDON
GOLF CLUBS
SAM G O T T R Y C A R T I N G
D IS T R IB U T O R S

COMPANY

R A D IO A N D S P O R T IN G G O O D S

RUDOLPH SCHM IDT & CO.

f f ic e

ow ers

rcade

43 South A ven u e
PH O N E : M A IN 1412

COMSTOCK

Established 1881

L U M B E R C O M P A N Y , Inc.
SALTER BROTHERS

Established 1900

Q U A L IT Y

S E R V IC E

FLORISTS

S A T IS F A C T IO N
R ochester, N. Y.

1030 M A IN S T R E E T EA ST
322 M ain St. East

C or. R ailroad Street

M odern T ype and M achinery

P rompt Service

38 M ain St. W est

Only the best is served at

T H E PIN E T R E E
140 East Ave.— Stone 6041

BU RN ETT PR IN T IN G
COM PANY

L u n c h e o n - 1 1 :45 to 2
A fternoon T ea- 2 :30 to 5:30
D inner - 5 :45 to 7 :30

M ail us yoiir order, or phone
STONE 881
G round F loor

O live N. M orehouse, Proprietor

27 South W ater

P hone—M ain 4643

DESKS

FILES

CHAIRS

SAFES

E xperts in

LO U IS S H U L M A N & CO.

B U S IN E S S E Q U I P M E N T

C L O T H E S B U IL D E R S

ZIM M ER LI

33-35 G ib b s St ., E lb s A r c a d e , R o c h e s t e r , N. Y.

BUSINESS F U R N IT U R E CORP.

Opposite Eastm an T h eatre

R ochester, N. Y.

HOM ER KNAPP

P A G E & S H A W , Inc.

General Building Construction

Candy and Ice Cream

1462 M A IN ST R E E T EA ST

of Excellence

C ulver 3073
46 E A ST AVENUE
ROCH ESTER, N. Y.

fl /✓
J^ c K / W îis
€A Ü P Z0 > 0^

MAGGS IC E C R E A M CO.
Stone 3886
AND

M A G G S , Caterer
Stone 2580

RESTA U RA N T

75-77 C H A R L O T T E S T R E E T

Soda — Candy
B etw

243 EA ST M A IN ST R E E T
O

p p o s it e

een

orth

n io n

St .

and

lex and er

St .

ROCHESTER, N. Y.

S ib l e y ' s

H EA DQ UA RTERS

C O M P L IM E N T S
FOR

OF A

U N D E R W E A R A N D H O S IE R Y
We

p p r e c ia t e

our

F R IE N D

atronage

Rochester
G Jn d e rra rS ®

C O M P L IM E N T S
OF A

XsyJ*42 L M a in S t^ x ^

F R IE N D

Please write, if the facilities of our or
ganization can be of assistance to you in
your investment needs. Should it be
more convenient for you to call, ask for
M r. W . L. Hawkins or M r. D. J. McKie.

Compliments
czz>ooocrz>

S tar P alace
E . H . R o llin s & Sons

L a u n d ry

Founded 1876

1432 L i n c o l n -A l l i a n c e B a n k B l d g .
R ochester
Telephone— Stone 117

Boston

New York

Denver

San Francisco

Philadelphia
Los Angeles

Chicago
London

Offices in principal cities throughout the country.

COM PLIM ENTS
of the

University o f Rochester

GORDON
AND
KAELBER
E nhance
th e B eauty
{/"four Eyes

^ARCHITECTS

7(UmSH
Eyelash Carter

On sale at Rochester
Departm ent, D rug Stores
and Beauty Shops.

Çompliments o f a Friend

It's the Sea Shell
C O M P L IM E N T S

For that after theatre supper, or possibly just a salad
or sandwich. It will be temptingly served and you
will dine in comfort at

T H E VIOLIN SHOP

T H E SEA SHELL

383 M a i n S tr e e t E a st
Roc h est e r , N. Y.

Directly Opposite the Eastman Theatre

410 M
Open Until 1 A. M.

S few f^lace to Tfine

a in

S t r e e t E a st
F. A. F rost, Proprietor

A S m a rt, D e lig h tfu l, In e x p en siv e
Place to D in e

Serving every kind of food, deliciously prepared to
appease your appetite.

T H E ODENBACH
COFFEE SHOPPE

Catering to “A fter Theatre” Patrons
Anything from a Sandwich to Supper

C l in t o n A v e n u e S o u t h

The Odenbach Coffee Shoppe has an air all its own.
Ideal for Breakfast, Luncheon, T ea or Dinner

EAST M AIN CHOP HOUSE
Right Next Door to the Eastman Theatre

437 E a st M

a in

Special Fountain Service

S tr e e t

THE POST EXPRESS
PRINTING COMPANY
Ü5Ü3ROCHESTER.N.Y.

-I- T H E S C O R E

DESIGNED, ENGRAVED A N D PRINTED By THE
GENESEE PRESS ' | ' EXPRESSING THE FEEE=
IN G OF CO M PEETE S A T IS F A C T IO N A N D
CONFIDENCE OF ON E MASTER IN ANOTHER

THE GENESEE PRESS
The Post Express Printing Company

'Designers

if3 Engravers

if3 Printers

192 M ill Street, Rochester, N. y .

INDEX

A
Page
Altpeter’s, Pianos ..................................... 22
American Taxicab Co................................. 29
Art Print Shop, The, Printers .............. 28
Arch-Aid Shoe Shop , ...................
15
Ashley, E. F., Co., Insurance .............. 30
Austin Organ Company ......................... 4
B
Barnard, Porter & Remington, Artists
Supplies ...................................................
Boiler, Ezra J., Insurance ......................
Boucher, Florist .......................................
Bourne, John R., Office Supplies . . . .
Burr & Starkweather Co., Farm Supplies
Burnett Printing Co...................................

24
24
17
21
24
32

Cantilevers, Shoes .....................................
Clark Optical Co., B. B.............................
Comstock Lumber Co., Inc..................... . .
Cramer Drug Stores .................................
Crosby-Frisian Fur Co...............................

30
18
32
10
26

D
Dennison Organ Pipe Co........................
11
Dillon, Read and Co., Bonds .................. 28
Ditson & Co., Chas. H., Music Books.. 15
Ditson Company, Oliver, Music Books.. 15
Drayton, Penington & Colket,
Investments ........... . . ."........... .
25
Dutton’s Insurance Office ........................ 27
E
Eastman School of Music ...................... 1
Eastman Theatre .............................
3
East Main Chop House .................
35
Englert, Wm. J., Printer . . ...................... 29
30
Ernest, Sam B., Hats ................
F
Fee Bros, Beverages ................................. 18
Ford Cleaners and Dyers, Inc................. 17
G

Genesee Press, The, Printing and
Engraving ......................
Gilbert, John F., Barber ..........................
Goodwin, Bert, Violin Maker ..................
Gordon L. Kaelber, Architects ................
Gottry Carting Company ......................
Green Electric Co., Inc.............................

36
24
28
34
31
27

H
Haloid Co., The, Photo Paper ..............
Hanna Lumber Co., Inc, .........................
Hart’s, Groceries .......................................
Heinzle, Anthony J., Plumbing ..............
Hibbard, Palmer & Kitchen, Bonds . . .
Hillgreen, Lane & Co., Pipe Organs. . .
Hopeman & Sons Co., Builders . . ..........

14
16
19
21
25
13
14

A D V ERTISERS

H ,
Page
Howe & Rogers Co,, Furniture, etc.... 24
Howe, Snow & Co., Investments . . . . . . 14
Howe & Bassett Co., Oil Burners . . . . . . 31
23
Hudes, Furs .........................

I
Ingmire & Thompson Co., Funerals ., 30
Interstate Teachers’ Agency ...........
17

Jackson’s Restaurant .................................. 33
Jenkins & JVIacy Co., Coal . . . . .................27
K
Kallusch, William F., Tailor ..............’. . 22
Keller Sons, J. B., Flowers . . . . . . . . . . . . 30
Kellogg, C. Solon, Coal ............................ 21
Knapp, Homer, Building .............................32
Kohler & Campbell; Pianos
6-7
Kohler-Liebich Co., Inc., Organ
Percussions : ............ -___. ......................16
Kurlash, Eyelash Curler ......... . . .......... 34
L

Lee, Iligginson & Co., Securities , , . .
28
Levis Music Store, Pianos, Music . . . 2, 5
Lewis, Fred S., Berkshire Life Ins........ 25
Likly’s, Luggage .................
17
Little & Hopkins, Inc., Securities ........... 22
Luther & Son Co., Contractors ........... 12
Lyon Metallic Mfg. Co., Steel Lockers,
etc.....................
28
M
Maggs Ice Cream Co.................................
Manhattan Restaurant ..............................
Manus Music Co., Inc., Music ..............
McCord, Gowns . . . . ..................................
McCurdy & Co., Dept. .Store ..................
McGahan, Frank P., Piano Movers . . . .
McManus, J. E., Mill and Janitor’s
Supplies . ........................................
Meng-Shafer-Held, Furs, etc......... ..
Metal Arts Co., Inc., Society P in s.........
Mills, Buell P., Insurance ......................
Moller, Pipe Organs ................................
Music Box, The, Music ..........................
Music Lovers Shoppe ..............................

33
31
23
15
29
20
31
19
16
17

R
Page
Rochester Gas & Electric Corporation . . 20
Rochester Dyeing and Cleaning Co..........17
Rochester Carting Co.............
29
Rochester Box and Lumber Co.................... 28
Rochester Stationery Co., Office Furn. . . 3 0
Rochester Underwear Store .................... 33
Rollins & Sons, Investments .................. 33
S
Salter Bros., Flowers . ............................
Schirmer, G., Inc., Musical Classics . . .
School of Music, Eastman ......................
Schmidt, Rudolph & Co., Radio, etc. 21,
Scrantom’s, Books .................................. .
Sea Shell, The, Restaurant ......................
Seneca Florist, The, Flowers ..................
Shulman, Louis, & Co., Clothes . . ...........
Sibley, Lindsay & Curr Co., Store . . . .
Small, Ray M., Securities .....................
Star Palace Laundry..................................
Stone & Webster and Blodget,
Investments ; ..........................................
Sullivan, H. H., Artists’ Materials . . .
Sutro Bros. & Co., Financial ..................
T
Teachers’ Agency, Interstate ................
Topliff, C. M., Organ Builder ................
Tucker Co., G. E., Neckwear ................
Tucker, Anthony & Co., Investments . . . .

32
10
1
31
20
35
30
32
10
19
33
19
10
11

10
26
23
11

U
U-Drive-It-System, Inc., Cars Rented .. 22
University of Rochester .......................... 34
V
Yia.ll & Sona., Paints ............................ 26
Violin Shop, The ...................................... 35

N
Naramore, Heinrich Co., Office Furn.. .. 21
National Clothing Co. .............................. 18

W
Wechsler, Furrier ............
Whitmore, Rauber & Vicinus,
Contractors ...........................
Whittle’s, Lunches, Candies . . . . . . . . . .
Wolf Co., M. E., Fur Coats Insured . .
Woodruff, Buell D., Bonds ......................
Wurlitzer, Pianos, Organs, etc................

O
Odenbach Coffee Shoppe ...............

Y
Yawman & Erbe Mfg. Co., Desks .......... 13

P
Page & Shaw, Inc., Confectionery . . . . 32
Paviour & Son, Inc., Insurance .......... 25
Pine Tree, The, Restaurant ........ . . . . . . . 32

Z
Zahrndt & Son., Bookbinders .............. 9
Zimmerli, Business Furniture ................. 32

23
15

16
26
27
25
29
12

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author

title

3 SIBLEY MUSICAL LIBRARY
Eastman School of Music
University of Rochester
Reference Book Rules

1. Books must be used within the library only
and must be properly charged out at the Grad
uate Loan Desk for each use.
2. Restricted material must be returned to the
Desk immediately after each use, or before
closing time on each day it is borrowed. This
includes periodicals, dictionaries, etc., and all
music classified in M 1 through M 4.
Non-restricted material may be placed on
Cubicle Charge for one month by assigned
occupants of cubicles. Otherwise it must be
returned before closing time on each day it is
borrowed. Any exceptions must be specifically
approved by the librarian.
3. Each book which is not returned according
to these rules will be subject to a fine of
twenty-five cents per day.
4. Each borrower is held responsible for all
books drawn on his name. All injuries to books
and all losses shall be made good to the satis
faction of the librarian.

River Campus Libraries Digital Collections (2025)

References